Abstract
Henry Rider Haggard is best known for his astonishing output of popular novels. Between 1884 and his death in 1925, he produced 59 novels and romances. King Solomon’s Mines (1885) and She (1887) have remained in print almost continuously from first publication to the present day. Haggard’s career spanned the period of the New Journalism and the New Imperialism: his first published work appeared in 1877 and he continued to write until the end of his life. He was associated with a remarkable number of leading figures of empire; Rudyard Kipling was a close friend and Robert Baden-Powell, celebrated hero of the Boer War and founder of the boy scout movement, a correspondent. Haggard’s political contacts were various and in later life he served on numerous official committees, many with interests in imperial policy.1 The American President Theodore Roosevelt was another man with whom Haggard felt himself in sympathy, and he dedicated the 1917 romance Finished to him. In a letter to Haggard, Roosevelt — the only genuinely imperialist president of the United States — lamented the paucity of United States citizens with whom he felt the same degree of mutual understanding.2 Roosevelt implied that Haggard’s whole career, including his romance writing, was a service to the cause of British imperialism: ‘what you did on the staff of Sir.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Peter Keating, The Haunted Study: A Social History of the English Novel, 1875–1914 (London: Fontana, 1991), 16.
Peter Beresford Ellis, H. Rider Haggard: A Voice from the Infinite (London: Routledge and Kegan Paul, 1987), 98.
Lilias Rider Haggard, The Cloak that I Left: A Biography of the Author Henry Rider Haggard K.B.E. (Ipswich: The Boydell Press, 1976), 259 and 260.
Robert Fraser, Victorian Quest Romance: Stevenson, Haggard, Kipling and Conan Doyle (Plymouth: Northcote House, 1998);
Laura Chrisman, Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner and Plaatje (Oxford: Clarendon, 2000);
Krebs , Gender, Race and the Writing of Empire; Gerald Monsman, Colonial Voices: The Anglo-African High Romance of Empire (New Orleans: University Press of the South, 2010).
Wendy R. Katz, Rider Haggard and the Fiction of Empire: A Critical Study of British Imperial Fiction (Cambridge: Cambridge University Press, 1987).
Alan Sandison, The Wheel of Empire: A Study of the Imperial Idea in Some Late Nineteenth and Early Twentieth-Century Fiction (London: Macmillan, 1967), 29;
Henry Rider Haggard, Jess (London: Smith, Elder, & Co., 1887), 263.
Henry Rider Haggard, ‘The Transvaal,’ Macmillan’s Magazine, 36:211 (May 1877), 78.
Norman Etherington, ‘Rider Haggard, Imperialism, and the Layered Personality,’ Victorian Studies, 22:1 (Autumn 1978), 86.
Henry Rider Haggard, The Days of My Life: An Autobiography, vol. 1 (London: Longmans, Green and Co., 1926), 162.
Henry Rider Haggard, ‘Dawn,’ in Jerome K. Jerome, ed., My First Book (London: Chatto and Windus, 1897), 138.
Henry Rider Haggard, Cetywayo and His White Neighbours; or, Remarks on Recent Events in Zululand, Natal and the Transvaal, new edition (London: Kegan Paul, Trench and Co., 1896), lxxvi.
Henry Rider Haggard, Allan Quatermain (London, New York and Bombay: Longmans, Green and Co., 1906), 276.
Tom Pocock, Rider Haggard and the Lost Empire (London: Weidenfeld, 1993), 28; Henry Rider Haggard, ‘The Transvaal,’ 71.
Anne McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (New York: Routledge, 1995), 233.
James Runciman, ‘King Plagiarism and His Court,’ Fortnightly Review, 47:279 (March 1890), 426.
Andrew Lang and Walter Herries Pollock, He (London: Longmans, Green and Co., 1887), 12.
Henry Rider Haggard, ‘About Fiction,’ Contemporary Review, 51 (February 1887), 178 and 175.
Altick , The English Common Reader (Columbus: Ohio State University Press, 1998), 315.
Henry Rider Haggard, Mr. Meeson’s Will (London: Spencer Blackett, 1888), xi.
Monsman, H. Rider Haggard on the Imperial Frontier: The Political and Literary Contexts of His African Romances (University of North Carolina at Greensboro: ELT Press, 2006), 2.
Morton Cohen, Rider Haggard: His Life and Works (London: Hutchinson & Co., 1960), 185.
Henry Rider Haggard, Nada the Lily (London and New York: Longmans Green and Co., 1895), xii.
Lindy Stiebel, Imagining Africa: Landscape in H. Rider Haggard’s African Romances (London and Westport, Connecticut: Greenwood Press, 2001), 55.
Henry Rider Haggard, ‘Dedication,’ She (London: Longmans, Green and Co., 1887).
Henry Rider Haggard, Jess (London: Smith, Elder and Co., 1887), 24–25
Copyright information
© 2015 Andrew Griffiths
About this chapter
Cite this chapter
Griffiths, A. (2015). Romance or Reportage? Henry Rider Haggard and the Pall Mall Gazette. In: The New Journalism, the New Imperialism and the Fiction of Empire, 1870–1900. Palgrave Studies in the History of the Media. Palgrave Macmillan, London. https://doi.org/10.1057/9781137454386_4
Download citation
DOI: https://doi.org/10.1057/9781137454386_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-57669-2
Online ISBN: 978-1-137-45438-6
eBook Packages: Palgrave History CollectionHistory (R0)