Abstract
If the Pardoner’s Tale and Miller’s Tale tell stories that kick God out of the world, the Manciple’s Tale tells a story that kicks God out of heaven. “It is significant,” writes Marijane Osborne, “that the tale features a euhemerized Apollo, his deity almost entirely suppressed.”1 Put simply: In the first two stories, the men try to become like gods. The Old Man would defy death. First in the bed of Eos and centuries later by killing Death and making sure the Fall stays put, that nothing comes to replace it. The Miller’s narrators attempt, to use Strohm’s words, an “unfettered attack on all forms of transcendence,”2 and pool their resources in order to collapse the universe into a single empty signifier. Both poetic worlds try to mean more than they can and they destroy each other, either one drunk at a time or one “poure scoler” at a time. The Manciple’s Tale is an opposite movement for similar ends. The gods try to become like men.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Édouard Jeauneau, Rethinking the School of Chartres (North York: The University of Toronto Press, 2009), 98.
Ann W. Astell, Chaucer and the Universe of Learning (Ithaca, NY: Cornell University Press, 1996), 100.
Jean de Meun, Roman de la Rose, ed. Felix Lecoy (Paris: Honoré Champion, 1965–1970), 16756.
Jamie C. Fumo, The Legacy of Apollo: Antiquity, Authority and Chaucerian Poetics (Toronto: University of Toronto Press, 2010), 68.
F.N.M. Diekstra, “Chaucer’s Digressive Mode and the Moral of the Manciple’s Tale,” Neophilologus, Vol. 67 (1983): 131.
Fumo, “Thinking upon the Crow: The Manciple’s Tale and Ovidian Mythography,” The Chaucer Review, Vol. 38, No. 4 (2004): 355.
Derek Pearsall, The Canterbury Tales (London: George Allen & Unwin Ltd., 1985), 238.
Loren C. Gruber, “The Manciple’s Tale: One Key to Chaucer’s Language,” in New Views on Chaucer: Essays in Generative Criticism, ed. William C. Johnson and Loren C. Gruber (Denver, CO: The Society for New Language Study, 1973), 43.
See, for instance, J. Burke Severs, “Is the Manciple’s Tale a Success?” The Journal of English and Germanic Philology, Vol. 51 (1952): 1–16; Diekstra, “Chaucer’s Digressive Mode; and Fumo, “Thinking upon the Crow.”
Pelen, “The Manciple’s ‘Cosyn’ to the ‘Dede,’” The Chaucer Review, Vol. 25, No. 4 (1991): 343.
Ovid, Metamorphoses, ii. 544–545, trans. Mary M. Innes (London: Penguin, 1971), 64.
Pindar, Pythian Ode III, in The Odes of Pindar, Including the Principal Fragments, trans. John Sandys (London: William Heinemann, 1915), 189.
Bernard F. Dick, “The Waste Land and the Descensus ad Inferos,” Canadian Review of Contemporary Literature, Vol. 2, No. 1 (Winter 1975): 35.
Plato, Symposium, trans. W.R.M. Lamb (London: Harvard University Press, 1991), 105.
Emily Bronte, Wuthering Heights (London: Smith, Elder & Co., 1870), 240.
Alain de Lille, The Plaint of Nature, trans. James J. Sheridan (Toronto: Pontifical Institute of Medieval Studies, 1980), 125.
Apollodorus, Bibliotheca, III. x. 3–4, in The Library: Vol. II, trans. James Frazer (London: William Heinemann, 1921), 17.
Porphyry, On the Cave of the Nymphs in the Thirteenth Book of the Odyssey, trans. Thomas Taylor (London: John M. Watkins, 1917), 58n25.
Ernest Hemingway, A Moveable Feast (New York: Simon and Schuster, 2009), 19.
Frankie Lymon, Herman Santiago, and Jimmy Merchant, “Why Do Fools Fall in Love,” The Teenagers Featuring Frankie Lymon, Gee Records, 1956, LP.
Karl Marx, Capital: A Critique of Political Economy. Volume I: The Process of Capitalist Production, trans. Samuel Moore, Edward Bibbins Aveling, and Ernest Untermann (Chicago, IL: C.H. Kerr & Company, 1915), 833.
Ovid, Metamorphoses, i. 433–462, trans. A.D. Melville (Oxford: Oxford University Press, 1998), 14.
Hyginus, Fabulae, trans. and ed. Mary Grant (Lawrence, MO: University of Kansas Publications, 1960), 115.
Michèle Mendelssohn, Henry James, Oscar Wilde and Aesthetic Culture (Edinburgh: Edinburgh University Press Ltd., 2007), 233.
Anthony Welch, The Renaissance Epic and the Oral Past (New Haven, CT: Yale University Press, 2012), 16.
Horace, Epistle 1.18 in Horace’s Satires and Epistles, trans. Jacob Fuchs (New York: W.W. Norton & Company, 1977), 70.
Euripides, The Phoenissae, trans. E.P. Coleridge, in The Complete Greek Drama, ed. Whitney J. Oates and Eugene O’Neill Jr. (New York: Random House, 1938), 824.
Euripides, The Phoenician Women, trans. Peter Burian and Brian Swann (Oxford: Oxford University Press, 1992), 24.
Charles Fantazzi, “Vives against the Pseudodialecticians,” in Erika Rummel, Biblical Humanism and Scholasticism in the Age of Erasmus (Leiden: Brill, 2008), 110.
Vives, in Augustine, Of the Citie of God. With the Learned Comments of Jo. Lod. Vives, trans. John Healey (London: George Eld, 1610), 684. Quoted by R.W. Maslen in Philip Sidney, An Apology For Poetry (Or The Defence Of Poesy): Revised and Expanded Second Edition, ed. R.W. Maslen (Manchester: Manchester University Press, 2002), 124fn.22.
David K. Coley, Wheel of Language: Representing Speech in Middle English Poetry, 1377–1422 (Syracuse, NY: Syracuse University Press, 2012), 31.
Homer, Odyssey, trans. E.V. Rieu, D.C.H. Rieu (London: Penguin Books Ltd., 2003), 102.
Claudian, Gigantomachia, in Claudian: Carmina Minora Vol. II, trans. Maurice Platnauer (Cambridge: Harvard University Press, 1922), 287.
Valerius Flaccus, Argonautica, trans. J.H. Mozley. (London: William Heinemann, 1934), 73.
Plato, Timaeus, 47C, in Bruce W. Holsinger, Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (Stanford: Stanford University Press, 2001), 5.
Arthur C. Aufderheide, The Scientific Study of Mummies (Cambridge: Cambridge University Press, 2003), 47.
Robert L. Tignor, Egypt: A Short History (Princeton, NJ: Princeton University Press, 2011), 74.
Aristotle, Metaphysics, XII. 1072, b3, quoted in Kevin Corrigan, Reading Plotinus: A Practical Introduction to Neoplatonism (Lafayette, IN: Purdue University Press, 2005), 206.
Margaret F. Nims, “Translatio: Difficult Statement in Medieval Poetic Theory,” University of Toronto Quarterly, Vol. 42, No. 3 (Spring 1974): 215.
John Keats, “Ode to a Nightingale,” John Keats The Complete Poems, ed. Jack Stillinger (Cambridge: Harvard University Press, 1982), 279
George Orwell, 1984 (New York: Signet Classics, 1977), 289.
Among available analogues only two others do not feature the child: Gower’s brief proverbial poem in the Confessio and the Seven Sages of Rome, which also does not feature Phoebus. Robert M. Correale and Mary Hamel, Sources and Analogues of the Canterbury Tales II (Cambridge: D.S. Brewer, 2009), 749–774.
John Donne, A Valediction of Forbidding Mourning, In Poems of John Donne: Vol. I, ed. E.K. Chambers (London: Lawrence & Bullen, 1896), 51–52.
Arnold E. Davidson, “The Logic of Confusion in Chaucer’s Manciple’s Tale,” Annuale Mediaevale, Vol. 19 (1979): 5.
John of Salisbury, Policraticus, 1.6, quoted in Laure Hermand-Shebat, “John of Salisbury and Classical Antiquity,” in A Companion to John of Salisbury, ed. Christophe Grellard and Frédérique Lachaud (Leiden: Brill, 2014), 191.
Natalia Gagarina, “The Early Verb Development and Demarcation of Stages in Three Russian-Speaking Children,” in Development of Verb Inflection in First Language Acquisition: A Cross-Linguistic Perspective, ed. Dagmar Bittner, Wolfgang U. Dressler, and Marianne Kilani-Schoch (Berlin: Walter de Gruyter, 2003), 139.
Travis, Disseminal, 243. See Charles Nodier, Dictionnaire Raisonné des Onomatopées Françaises (Paris: Demoville, 1808). Travis’s discussions of Nodier are conducted with reference to Gérard Genette, Mimologics, trans. Thaïs E. Morgan (Lincoln, NE: University of Nebraska Press, 1995).
Stewart Justman, “Literal and Symbolic in the ‘Canterbury Tales,’” The Chaucer Review, Vol. 14, No. 3 (Winter 1980): 212.
John of Salsbury, Metalogicon, IV, 35, quoted in Ralph McInery, A History of Western Philosophy (South Bend, IN: University of Notre Dame Press, 1963), 159.
Jean-Jacques Rousseau, On the Origin of Language, trans. John H. Moran and Alexander Gode (Chicago, IL: Chicago University Press, 1966), 12.
Jody Endgers, The Medieval Theater of Cruelty: Rhetoric, Memory, Violence (Ithaca, NY: Cornell University Press, 2002), 71.
Boethius, The Consolation of Philosophy, trans. S.J. Tester, in The Theological Tractates and The Consolation of Philosophy, trans. H.F Stewart, H.K. Rand, and S.J. Tester (London: William Heinemann Ltd, 1973), 307.
Jeffrey Schnapp, The Transfiguration of History in the Center of Dante’s Paradise (Princeton: Princeton University Press, 1986), 163, quoted in Travis, Disseminal, 216.
Winthrop Wetherbee, Chaucer: The Canterbury Tales (Cambridge: Cambridge University Press, 2004), 103
Mark Amsler, Etymology and Grammatical Discourse in Late Antiquity and the Early Middle Ages, (Amsterdam: John Benjamins B.V., 1989), 33.
John J. McGavin, “How Nasty Is Phoebus’ Crow?” The Chaucer Review, Vol. 21, No. 4 (1987): 449.
Alan Bennett, The History Boys (New York: Faber and Faber, Inc., 2006), 61.
V.J. Scattergood, “The Manciple’s Manner of Speaking,” Essays in Criticism, Vol. 24 (1974): 140.
Alain de Lille, Anticlaudianus, quoted in James Simpson, Sciences and the Self in Medieval Poetry (Cambridge: Cambridge University Press, 1995), 246.
Michael Kensak, “The Silences of Pilgrimage: ‘Manciple’s Tale, Paradiso, Anticlaudianus,’” The Chaucer Review, Vol. 34, No. 2 (1999): 193.
Octavio Paz, Alternating Current, trans. Helen Lane (New York: Arcade Publishing, 1991), 68–69.
George Steiner, Real Presences (Chicago, IL: The University of Chicago Press, 1989), 3.
Copyright information
© 2015 Jameson S. Workman
About this chapter
Cite this chapter
Workman, J.S. (2015). The Runaway Gods of the Manciple’s Tale. In: Chaucer and the Death of the Political Animal. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137448644_3
Download citation
DOI: https://doi.org/10.1057/9781137448644_3
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-45651-9
Online ISBN: 978-1-137-44864-4
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)