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Jorge Semprún, Brecht, and Theater

  • Jaime Céspedes
Chapter
  • 55 Downloads
Part of the Studies in European Culture and History book series (SECH)

Abstract

Although Jorge Semprún’s plays are not as well known as his novels, autobiographies, and film scripts, his work as a playwright enters into dialogue with the rest of his oeuvre, presenting, and sometimes anticipating, important themes explored elsewhere.1 Semprún enjoyed engaging in all aspects of theater: the writing of plays, the rehearsals, the contact with the actors, the director and the audience, and even the Brechtian principle of letting the actors and producers give the definitive form to a play when rehearsing.

Keywords

Concentration Camp French Revolution General Strike Weimar Republic Stage Direction 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© Ofelia Ferrán and Gina Herrmann 2014

Authors and Affiliations

  • Jaime Céspedes

There are no affiliations available

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