Skip to main content

Deconstructing African Poverty against the Backdrop of a Rich Musical Heritage: A Paradox

  • Chapter
Education, Creativity, and Economic Empowerment in Africa

Abstract

While most of the world’s economically poorest nations today are in Africa, the continent still possesses an extremely rich musical heritage, hitherto reflected in the tales of the griots, the traditional historians and praise-singers, and in the twenty-first century represented by African music composers and entertainers both at home and overseas. Defining African poverty in the context of resources is always problematic, because Africa has an expansive depth of resources of all kinds. This chapter will focus on one of these: African musicians (artists) as a potential resource that can be utilized to achieve the Millennium Development Goals (MDGs). Musicians have a dual role as both human and artistic resources, and yet they have yet to be fully economically promoted so that their contribution may be substantially reflected in Africa’s Gross Domestic Product (GDP).

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Bibliography

  • Adorno, Theodore W. “On Popular Music.” In On Record: Rock, Pop and the Written Word, edited by Simon Firth and Andrew Goodwin, 301–314. New York, NY: Pantheon Books, 1990.

    Google Scholar 

  • Alvermann, Donna E. “Popular Culture and Literacy Practices.” In Handbook of Reading Research, vol. IV, edited by Micheal L. Kamil, 541–560. New York, NY: Routledge, 2011.

    Google Scholar 

  • Brooks, William. “On Being Tasteless.” Popular Music 2 (1991): 9–18.

    Article  Google Scholar 

  • Bourdieu, Pierre. Language and Symbolic Power. Cambridge, UK: Polity, 2002.

    Google Scholar 

  • Chernoff, John M. African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idiom. Chicago: University of Chicago Press, 1979.

    Google Scholar 

  • DeVeaux, Scott. “What Did We Do to Be So Black and Blue?” Musical Quarterly 80 (1996): 392–427.

    Article  Google Scholar 

  • Eagleton, Terry. The Idea of Culture. Oxford: Blackwell, 2000.

    Google Scholar 

  • Euba, Akin. “The Potential of African Traditional Music as a Contemplative Art.” Black Orpheus 3 (1974): 54–60.

    Google Scholar 

  • Huntington, Samuel P. The Clash of Civilizations and the Remaking of World Order. London: Touchstone, 2011.

    Google Scholar 

  • Idowu, Mabinuori K. Fela, le Combattant. France: Castor Astral, 2002.

    Google Scholar 

  • Nketia, Kwabena. The Music of Africa. London: Victor Gollancz, 1974.

    Google Scholar 

  • Olaniyan,Tejumola. Arrest the Music! Fela and His Rebel Art and Politics. Bloomington, IN: Indiana University Press, 2004.

    Google Scholar 

  • Olorunyomi, Sola. Afrobeat: Fela and the Imagined Continent. Trenton, NJ: Africa World Press, 2002.

    Google Scholar 

  • Schoonmaker, Trevor. Black President: The Art & Legacy of Fela Anikulapo Kuti. New York, NY: New Museum of Contemporary Art, 2003.

    Google Scholar 

  • Schoonmaker, Trevor. Fela: From West Africa to West Broadway. New York, NY: Palgrave Macmillan, 2003.

    Google Scholar 

  • Seabrook, John. Nobrow: The Culture of Marketing, the Marketing of Culture. London: Methuen, 2000.

    Google Scholar 

  • Slade, David. “Free and Legal Music Downloads, When 99 cents Is Just too Much.” The Post and Courier, May 20, 2012. Accessed November 30, 2012, http://www.postandcourier.com/article/20120520/PC05/120529929/1109/free-and-legal-music-downloads-when-99-cents-is-just- too-much.

    Google Scholar 

  • Siwek, Stephen. The Economic Contribution of Copyright-Based Industries in USA. International Intellectual Property Alliance: Economist Incorporated, 2004. Accessed March 30, 2012, from http://www.wipo.int/ip-development/en/creative_industry/pdf/ecostudy-usa.pdf

    Google Scholar 

  • Titus, Olusegun S. and Omotoyosi A. Bello. “Musical Forms in Songs for Political Mobilisation during 2011 General Elections in Nigeria.” International Journal of Humanities and Social Science 2 (2012): 166–173.

    Google Scholar 

  • Veal, Michael E. Fela: The Life of an African Musical Icon. Philadelphia, PA: Temple University Press, 1997.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2014 Toyin Falola and Jamaine Abidogun

About this chapter

Cite this chapter

Akombo, D.O. (2014). Deconstructing African Poverty against the Backdrop of a Rich Musical Heritage: A Paradox. In: Falola, T., Abidogun, J. (eds) Education, Creativity, and Economic Empowerment in Africa. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137438508_13

Download citation

Publish with us

Policies and ethics