Abstract
It is crucial to remember that ancient Greek society did not exist in isolation; there was cultural interaction with many societies around it, or in classics scholar Carol Dougherty’s phrase, “conflict and collaboration,” between different Greek settlements as well as with Etruscans, Phoenicians, and other groups (2003, 35). “Elements of the indigenous Etruscan world are combined with aspects of Greek myth as well as those of Phoenician origin to produce a compelling testament to the power and status of this princeps… In other words, Odysseus serves as a model for the Etruscan princeps“ (41). The Greeks borrowed the basic elements of the Phoenician alphabet to create their own, and the Etruscans looked to Greek artistic production to adorn their dwellings and provide funerary equipment. Greek traders were active throughout the ancient world, and thus exposed to an array of customs and practices from other cultures.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Copyright information
© 2014 Anthony Shay
About this chapter
Cite this chapter
Shay, A. (2014). The Contours of Masculinity and Public Entertainers in Ancient Greece. In: The Dangerous Lives of Public Performers. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137432384_3
Download citation
DOI: https://doi.org/10.1057/9781137432384_3
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-49268-8
Online ISBN: 978-1-137-43238-4
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)