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Vital Principles

From the Animal Body to the Body Politic

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John Thelwall and the Materialist Imagination

Abstract

John Thelwall wanted to give his heart to medical science. He and the surgeon Astley Cooper had an agreement whereby, if Thelwall died first, Cooper would receive his heart for medical study. It was apparently remarkable for its pathology, as well as for its radical sensibility. According to his second wife and biographer, Henrietta Cecil, Thelwall suffered from a strange condition that sometimes caused his heart to beat so loudly that it was audible from several yards away. On one occasion it startled a passer-by in the street; on another it awoke Cecil in the middle of the night, when she mistook its beating for someone knocking at the door. Cooper joked that his friend had ‘an exceedingly good head — but an excessively bad heart!’.2 Although that defective organ eventually caused Thelwall’s death in 1834 when he suffered ‘some affection’ of it, probably a heart attack, while on an elocutionary lecture-stop in Bath, it seems doubtful that Cooper ever sought fulfilment of their agreement.3 He knew, in any case, that Thelwall had already given his heart to medical science four decades earlier, when he attended lectures at Guy’s and St. Thomas’s hospitals in London and immersed himself in the debates about vitality and cognition that were to pulse through his life’s work. Thelwall’s early engagement with medical science was a vital context for his pursuits across disciplines and decades, yet it has long lain buried beneath his profile as a radical agitator and one-time friend of Wordsworth and Coleridge.

But what is this something — this vivifying principle?1

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Notes

  1. Foucault, Birth of the Clinic, p. 197; Porter, Flesh in the Age of Reason: How the Enlightenment Transformed the Way We See Our Bodies and Souls (London: Allen Lane, 2003; repr. London: Penguin, 2004);

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  43. According to Mrs. Thelwall, Life, p. 110, Daniel Isaac Eaton published ‘King Chaunticlere’ in his newspaper Politics for the People ‘after dressing it up in certainly very strong terms, which Thelwall would never have used’, and was charged with libel as a result. The anecdote has been variously interpreted as an allegory of regicide, a parody of Burkean alarmism and a narrative of the death of Thelwall’s early church-and-king conservatism. For the first perspective, see Philp, ‘Fragmented Ideology’, 70–2; Barreli, Imagining, pp. 106–7; and Michael Scrivener, ‘John Thelwall and Popular Jacobin Allegory, 1793–95’, ELH 67 (2000), 956. For the second perspective, see Marcus Wood, ‘William Cobbett, John Thelwall, Radicalism, Racism and Slavery: A Study in Burkean Parodics’, Romanticism on the Net 15 (Aug. 1999), http://www.eradit.Org/revue/ron/1999/v/nl5/005873ar.html (accessed 23 May 2007);

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  45. Introducing excerpts from Thelwall’s political writings of the 1790s, Marilyn Butler claims that he ‘made little use of Tooke’s hostile analysis of upper-class language, or implied preference for a plain Anglo-Saxon discourse as a vehicle for ideas’; Burke, Paine, Godwin, and the Revolution Controversy (Cambridge: Cambridge University Press, 1984), p. 207. Similarly, Olivia Smith observes of The Peripatetic that, ‘[t]he emotive heart and the political mind which Thelwall hoped to unite in his writings are kept apart by two styles of language, one for sentiment and another for thought’; Politics of Language, p. 87.

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© 2014 Yasmin Solomonescu

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Solomonescu, Y. (2014). Vital Principles. In: John Thelwall and the Materialist Imagination. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9781137426147_2

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