Abstract
Cultural productions about the US boundaries with Mexico and Canada have a long history, but have surged at the turn of the twenty-first century. The settings of these works are so closely interlinked with their subject matter that the fiction could not easily be moved to another place without distortion or loss of significance. While literatures about the Mexico-US border have been afforded a considerable amount of attention, fewer cultural representations of the United States’ northern boundary exist. A comparative approach to literatures about the Mexico-US and Canada-US borders questions assumptions that have undergirded the development of hemispheric American Studies in the United States, to which work on the Mexico-US border has been central.1
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Notes
María Amparo Ruiz de Burton’s Who Would Have Thought It? (1872) and The Squatter and the Don (1885)
as well as Américo Paredes’s George Washington Gómez (published in 1990 but written mostly in the late 1930s and early 1940s) exemplify work on the border that was authored before the inception of Chicanismo.
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© 2014 Reingard M. Nischik
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Sadowski-Smith, C. (2014). The Literatures of the Mexico-US and Canada-US Borders. In: Nischik, R.M. (eds) The Palgrave Handbook of Comparative North American Literature. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137413901_10
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DOI: https://doi.org/10.1057/9781137413901_10
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-49006-6
Online ISBN: 978-1-137-41390-1
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