Abstract
It may seem odd that the introduction to a collection of essays should be longer than any of the essays themselves. Such need for excessive explanation might suggest a lack in the essays themselves or in the coherence and unity of purpose of the collection. Certainly, in the case of this book, there have been two major difficulties in bringing the collection together, both of which require some explanation and more than usual theoretical backgrounding of the essays. Nevertheless, throughout the process, there has been a central guiding argument to which the essays, however apparently disparate in style and content, all serve to make a contribution. This central argument is that time is not a given, natural, objective phenomenon, but a condition and product of processes of human activity. Corollary to this is the assumption that it is possible to access, write about and make descriptive, categorical and definitional statements about these processes. In short, it can be said that time temporalises, that it therefore emerges from prior ground and condition, that processes of temporalisation are somehow crucial to the way in which humans make worlds, and finally, that it is possible to say something about it.
But now the sight of day and night, and the months and the revolutions of the years, have created number, and have given us a conception of time, and the power of enquiring about the nature of the universe.
Plato, Timaeus
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Works cited
Abramović, Marina, and Ulay (1977) Relation in Time, http://www.youtube.com/watch?v=1sRSoGAc3H0, last accessed 27 July 2014.
——— (1978) Aaa Aaa, https://www.youtube.com/watch?v=iAIfLnQ26JY, last accessed 24 July 2014.
Agamben, Giorgio (2005) The Time That Remains: A Commentary on the Letter to the Romans (Stanford University Press).
Alexander, Jeffrey C. (2010) The Performance of Politics: Obama’s Victory and the Democratic Struggle for Power (New York: Oxford University Press).
——— (2011) Performance and Power (Cambridge: Polity).
Aristotle (1984) The Complete Works of Aristotle: The Revised Oxford Translation, (Princeton University Press).
Augustine (2006) The Confessions of Saint Augustine (Fairfield, IA: 1st World Books).
Badiou, Alain (2003) Saint Paul: The Foundation of Universalism (Stanford University Press).
Banes, Sally (1994) Writing Dancing in the Age of Postmodernism (Hanover & London: University Press of New England).
Benjamin, Walter (1992) Illuminations (London: Fontana).
Bennington, Geoffrey (2001) ‘Is It Time?‘, in Heidrun Friese (ed.) The Moment: Time and Rupture in Modern Thought (Liverpool University Press).
Buber, Martin (1951) Two Types of Faith (London: Routledge & Paul).
Chaikin, Joseph (1972) The Presence of the Actor (New York: Theatre Communications Group).
Clay, E. R. (1882) The Alternative: A Study in Psychology (London: Macmillan).
Cull, Laura (2012) ‘Performance-Philosophy: The Philosophical Turn in Performance Studies (and a Non-Philosophical Turn in Philosophy), Conference Paper, Performing Research: Creative Exchanges, Central School of Speech and Drama, London, UK, 19–20 January.
Deleuze, Gilles (1988) Bergsonism (New York: Zone Books).
Derrida, Jacques (1976) Of Grammatology (Baltimore: Johns Hopkins University Press).
Dilthey, Wilhelm (1976) Selected Writings (Cambridge & New York: Cambridge University Press).
Foucault, Michel (1977) Language, Counter-Memory, Practice: Selected Essays and Interviews (Ithaca, NY: Cornell University Press).
Fraleigh, Sondra Horton (1987) Dance and the Lived Body: A Descriptive Aesthetics (University of Pittsburgh Press).
Heidegger, Martin (1962) Being and Time (Oxford: Basil Blackwell).
Heraclitus, and Kahn, Charles H. (1979) The Art and Thought of Heraclitus: An Edition of the Fragments with Translation and Commentary (Cambridge & New York: Cambridge University Press).
Hoy, Ronald C. (2001) ‘Parmenides’ Complete Rejection of Time’, in L. Nathan Oaklander (ed.) The Importance of Time, vol. 87, Philosophical Studies Series: Springer Netherlands, 105–29.
Husserl, Edmund (1991) On the Phenomenology of the Consciousness of Internal Time (1893–1917), Edmund Husserl Collected Works (Dordrecht & Boston: Kluwer).
Kant, Immanuel (2004) Critique of Pure Reason, translated by J. M. D, Mieklejohn (Mineola, NY: Dover).
Kozel, Susan (2007) Closer: Performance, Technologies, Phenomenology (Cambridge, MA: MIT Press).
Levinas, Emmanuel (1981) Otherwise Than Being or Beyond Essence (The Hague: Martinus Nijhoff).
McTaggart, J. M. E. (1908) ‘The Unreality of Time’, Mind, 17.68, 457–74.
Merleau-Ponty, Maurice (1975) The Visible and the Invisible (Evanston: Northwestern University Press).
——— (2003) Nature: Course Notes from the Collège De France, translated by Dominique Séglard (Evanston, IL: Northwestern University Press).
MoMA (2010) ‘Marina Abramović: The Artist Is Present’, 14 March–31 May, http://www.moma.org/visit/calendar/exhibitions/965, last accessed 25 March 2014.
Newton, Isaac (1846) The Mathematical Principles of Natural Philosophy (New York: Daniel Adee).
Nietzsche, Friedrich Wilhelm (1997) Untimely Meditations (Cambridge & New York: Cambridge University Press).
Pickering, Andrew, and Keith Guzik (eds) (2008) The Mangle in Practice Science, Society, and Becoming (Durham, NC: Duke University Press).
Plato (1997) Complete Works (Indianapolis, IN: Hackett).
Puchner, Martin (2013) ‘Afterword: Please Mind the Gap Between Theatre and Philosophy’, Modern Drama, 56.4, 540–53.
Rainer, Yvonne (1998) ‘No to Spectacle …’, in Alexandra Carter (ed.) The Routledge Dance Studies Reader (London & New York: Routledge).
Rees, Simon (2002) ‘Drawing and Anxiety: Mike Parr’s Self Portraits Circa 2001’, Art and Australia, 40.1, 64–6.
Ricoeur, Paul (1990) Time and Narrative, 3 vols. (University of Chicago Press)
Rosenzweig, Franz (2005) The Star of Redemption, translated by Barbara E. Galli (University of Wisconsin Press).
Schutz, Alfred (1976) Collected Papers II: Studies in Social Theory (The Hague: Martinus Nijhoff).
Sheets-Johnstone, Maxine (2011) The Primacy of Movement, 2nd edn (Amsterdam & Philadelphia: John Benjamins).
Tarkovsky, Andrey (1991) Sculpting in Time: Reflections on the Cinema, 3rd edn (Austin, TX: University of Texas Press).
Wagenaar, H. (2011) Meaning in Action: Interpretation and Dialogue in Policy Analysis (Armonk, NY: M. E. Sharpe).
Whitehead, Alfred North (1978) Process and Reality: An Essay in Cosmology, Gifford Lectures. Corrected Edition (New York: Free Press).
Editor information
Editors and Affiliations
Copyright information
© 2015 Stuart Grant, Jodie McNeilly, Maeva Veerapen
About this chapter
Cite this chapter
Grant, S., McNeilly, J., Veerapen, M. (2015). Introduction. In: Grant, S., McNeilly, J., Veerapen, M. (eds) Performance and Temporalisation. Performance Philosophy. Palgrave Macmillan, London. https://doi.org/10.1057/9781137410276_1
Download citation
DOI: https://doi.org/10.1057/9781137410276_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-48891-9
Online ISBN: 978-1-137-41027-6
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)