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Combat Trauma in Athenian Comedy: The Dog That Didn’t Bark

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Combat Trauma and the Ancient Greeks

Part of the book series: The New Antiquity ((NANT))

Abstract

This chapter differs from most of the other contributions to this volume1 in that it deals not with the ways in which the effects of combat trauma are described in ancient Greek literature, but with a branch of ancient Greek literature that seems to go out of its way to avoid describing them. Not only that, but it also, in very large measure, avoids reference to the types of situation likely to cause combat trauma, and to the types of person likely to experience it—and this although in one way or another it very frequently concerns itself with the subject of war and soldiering. The relevance of such avoidance to the theme of the book does not, I hope, require to be argued for: silence, or suppression, can be very eloquent.

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Bibliography

  • Konstan, David. 2013. “Menander’s Slaves: The Banality of Violence.” In Slaves and Slavery in Ancient Greek Comic Drama, edited by Ben Akrigg and Robert Tordoff, 144–58. Cambridge: Cambridge University Press.

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  • Storey Ian C. 2003. Eupolis, Poet of Old Comedy. Oxford: Oxford University Press.

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Authors

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Peter Meineck David Konstan

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© 2014 Peter Meineck and David Konstan

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Sommerstein, A.H. (2014). Combat Trauma in Athenian Comedy: The Dog That Didn’t Bark. In: Meineck, P., Konstan, D. (eds) Combat Trauma and the Ancient Greeks. The New Antiquity. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137398864_11

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  • DOI: https://doi.org/10.1057/9781137398864_11

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-48560-4

  • Online ISBN: 978-1-137-39886-4

  • eBook Packages: Palgrave History CollectionHistory (R0)

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