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The “Endangered Theatre”

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Part of the book series: Palgrave Studies in Theatre and Performance History ((PSTPH))

Abstract

For his book Beyond Broadway: The Quest for Permanent Theatres, Julius Novick traveled around the country, viewing productions at a variety of regional theatres. His 1968 publication offers limited resources for historians in that the bulk of his writing recounts his personal reactions to different plays and presentations rather than utilizing research to make substantial comparisons between repertory companies and the various challenges they faced in the late 1960s. Nevertheless, he visited the Play House on two occasions during which he recorded his responses to Neil Simon’s “quite good” Barefoot in the Park, an “excellent” Who’s Afraid of Virginia Woolf?, a “vacuous” adaptation of Molières School for Wives titled The Amorous Flea, and an offering of The Tempest presented “without imagination or insight.”1 Despite Novick’s delight in providing pithy insults, he does pause from his reviews of the Play House’s productions to address a concern he has for the theatre’s future:

The Play House is now a somewhat geriatric institution; it is the only resident theatre faced with the problem of a staff that is slowly dying off. Mr. Lowe himself, acting and alert though he is, was born in 1899. The Play House has the advantages that often come with an advanced state of maturity: wealth, experience, a certain kind of solid proficiency, an institutive knowledge of what can safely be done. But it also has the great disability that comes with age: timidity, conservatism, a tendency to continue in the same groove.2

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Notes

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© 2014 Jeffrey Ullom

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Ullom, J. (2014). The “Endangered Theatre”. In: America’s First Regional Theatre. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137394354_8

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