Abstract
As Salomé Voegelin observes, ‘[w]hen there is nothing to hear, so much starts to sound. Silence is not the absence of sound but the beginning of listening’ (2010: 83). Thus, in every sense, one might say that silence sounds. In developing this idea, and as a means of tackling the apparent paradox that it engenders, this chapter pays particular attention to the various ways in which ‘silence’ is experienced.
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© 2015 Andrew George Home-Cook
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Home-Cook, G. (2015). Sounding Silence. In: Theatre and Aural Attention. Palgrave Macmillan, London. https://doi.org/10.1057/9781137393692_4
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DOI: https://doi.org/10.1057/9781137393692_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-48365-5
Online ISBN: 978-1-137-39369-2
eBook Packages: Palgrave Theatre & Performance CollectionLiterature, Cultural and Media Studies (R0)