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Bollywood Shakespeares pp 63–86Cite as

Palgrave Macmillan

The Ambiguities of Bollywood Conventions and the Reading of Transnationalism in Vishal Bhardwaj’s Maqbool

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Abstract

The postmillennial period of Bollywood cinema greets William Shakespeare, “welcoming him as the ‘man’ of the ‘millennium,’” resulting in a growth of Shakespeare’s authority in India. 2 The first Bollywood-acknowledged appropriations of Shakespearean works are Vishal Bhardwaj’s films ( Maqbool , 2003; Omkara , 2006). Simultaneously, Shakespeare has also proved an accommodating friend to the codes of Indian arty, parallel cinema in locally inflected productions such as In Othello (dir. Roysten Abel, 2003) or the movie The Last Lear (dir. Rituparno Ghosh, 2007). Film critic Randeep Ramesh compared this recent swing in interpre­tation of Shakespeare in India with the 1990s Hollywood period in which innumerable Shakespearean adaptations were produced. 3

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Authors
  1. Rosa M García-Periago
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Editor information

Editors and Affiliations

  1. Eastern Michigan University, USA

    Craig Dionne (professor of Literary and Cultural Theory) (professor of Literary and Cultural Theory)

  2. Northern Kentucky University, USA

    Parmita Kapadia (associate professor of English) (associate professor of English)

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© 2014 Craig Dionne and Parmita Kapadia

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García-Periago, R.M. (2014). The Ambiguities of Bollywood Conventions and the Reading of Transnationalism in Vishal Bhardwaj’s Maqbool. In: Dionne, C., Kapadia, P. (eds) Bollywood Shakespeares. Reproducing Shakespeare: New Studies in Adaptation and Appropriation. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137375568_4

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