Abstract
Jarena Lee’s The Life and Religious Experience of Jarena Lee, was first published in 1836. Later Lee published a more expanded account of her spiritual journey and ministerial travels in an 1849 edition. As the earliest known spiritual autobiography written by an African American woman, Lee’s narrative serves as an important source for developing an understanding of African American female mysticism.1 In this endeavor, Jarena Lee may serve as a paradigmatic figure for black female mystical activism. She is an archetypal persona parallel to the Orisha, lwa, or the ancestors who inhabit individuals via possession or revisit the living by being “re-born” through descendants during Yoruba or Vodou rituals. It is within this liminal space that these personas inform and commune with the gathered community. For the purposes of this study, Lee’s text provides this incarnational, self-reflective, emancipatory mystical space in which the archetypal patterns of African American womanhood can inform our understanding of black female mysticism.
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Notes
Joy R. Bostic, “Mystical Experience, Radical Subjectification, and Activism in the Religious Traditions of African American Women,” in Mysticism and Social Transformation, ed. J. K. Ruffing (Syracuse, NY: Syracuse University Press, 2001), 145.
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Herbert G. Gutman, The Black Family in Slavery and Freedom, 1750– 1925 (New York: Vintage Books, 1977), 599. See note 35.
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Alison Weber explores the ways in which Teresa of Avila uses language and literary conventions in her writings as “conscious rhetorical devices.” See Alison Weber, Teresa of Avila and the Rhetoric of Feminity (Princeton, NY: Princeton University Press, 1990), 3–4.
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Albert J. Raboteau, Slave Religion: The “Invisible Institution” in the Antebellum South, Updated (New York: Oxford University Press, 2004), 74.
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Jonathan Edwards, Sinners in the Hands of an Angry God, (New Haven, CT: Yale University Press, 2010), 43.
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Yvonne Patricia Chireau, Black Magic: Religion and the African American Conjuring Tradition (Berkeley, CA: University of California Press, 2003). As a container the hand is not fixed or rigid in its use or contents. It may be enhanced or recharged by adding new materials and making new configurations.
Sue Houchins, “Introduction,” in Spiritual Narratives (New York: Oxford University Press, 1988), xxxvii.
Joy R. Bostic, “‘Flesh That Dances’: A Theology of Sexuality and the Spirit in Toni Morrison’s Beloved,” in The Embrace of Eros: Bodies, Desires, and Sexuality in Christianity, ed. Margaret D. Kamitsuka (Minneapolis: Fortress Press, 2010), 280.
Jean McMahon Humez, Gifts of Power: The Writings of Rebecca Jackson, Black Visionary, Shaker Eldress, Illustrated ed. (Amherst: University of Massachusetts Press, 1987), 72.
Quoted in Diana L. Hayes, Forged in the Fiery Furnace: African American Spirituality (Maryknoll, NY: Orbis, 2012), 161.
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© 2013 Joy R. Bostic
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Bostic, J.R. (2013). Standing upon the Precipice: Community, Evil, and Black Female Subjectivity. In: African American Female Mysticism. Black Religion / Womanist Thought / Social Justice. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137375056_3
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DOI: https://doi.org/10.1057/9781137375056_3
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