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Abstract

In human histories, it has long been God/gods who are said to have created the universe and who will end it; both G/genesis and eschatology have belonged to the realm of religious literature. Narratives of the beginning and the end have been powerfully influential, since it was believed that these stories came directly from an omnipotent, transcendental being or from some other higher power. In the contemporary era, however, when many advanced nations have become highly secularized and cosmological explanations for the creation of the universe such as the Big Bang theory have become widespread, people have come to accept science-based ideas of the beginning of the universe. As a result, non-scientific narratives of origin are transformed into myths, and lose their impact on present reality.

I am the Alpha and the Omega, the first and the last, the beginning and the end.1

— The Book of Revelation

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Notes

  1. Examples of apocalyptic movements in non-Judeo-Christian religious traditions include Zoroastrianism in ancient Persia; Mahdism in premodern Islam; Maitreya faith in East Asia; the “cargo” cults of the South Pacific and the Ghost Dance movement of North America. See Kenelm Burridge, New Heaven New Earth: A Study of Millenarian Activities (New York: Schocken, 1969 ). Eschatologies in non-Western tradition are also discussed in detail in

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  2. Mircea Eliade, The Myth of the Eternal Return: or, Cosmos and History, trans. Willard R. Trask (Princeton, N.J.: Princeton University Press, 1971) (Originally published as Le Mythe de l’eternel retour: Archetypes et repetition). Japanese eschatological folklore is studied in

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  3. Miyata Noboru, Shûmatsukan no minzokugaku ( The Folklore of Eschatology) (Tokyo: Chikuma shoten, 1998 ), 27–84.

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  4. The Epic of Gilgamesh contains a flood myth that is considered to be from ca. the twentieth century BC. Also, the sacred Hindu Brahmanas written between the tenth and the sixth centuries BC include a myth detailing a devastating flood endured by Manu, ancestor of humanity. Discussion of flood myths can be found in Kusano Takumi, Seikimatsu: kamigami no shūmatsu monjo (Fin de Siècle: Apocalyptic Literature by the Gods) (Tokyo: Shin kigensha, 1997), 38–46.

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  5. Ikeuchi Megumi, Gendai arabu no shakai shisô ( The Contemporary Arabic Social Thought) (Tokyo: K6dansha, 2002 ), 151–161.

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  6. Saitō Tamaki, Bungaku no dansô ( Dislocation in Literature) (Tokyo: Asahi shinbunsha, 2008 ), 10–17.

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© 2014 Motoko Tanaka

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Tanaka, M. (2014). Introduction. In: Apocalypse in Contemporary Japanese Science Fiction. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137373557_1

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