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Abstract

Burnsides engagement with a modernist aesthetics of order in his poetics of place leads into a thesis on world-making that animates and renews our feeling for the earth. I focus on the way that mutability is essential, in Gift Songs, for a humanist intelligibility of our habitus, before turning to Burnside’s poetic translation of the varieties of religious experience. Lyricism here transcends speciesist personhood to invite a cool and fresh consideration of the planet’s nuances over time.

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Notes

  1. For more on this contextual aspect, see Bristow, T. (2011). Materialism as Cultural Ecology in John Burnside’s ‘Four Quartets’, Scottish Literary Review, 3 (2), 149–170.

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  2. For fuller accounts of Heideggerian poetics, see Guignon, C. (2001). Being as Appearing: Retrieving the Greek Experience of Phusis, in G. Fried, & R. Polt (Eds.), A Companion to Heidegger’s Introduction to Metaphysics, New Haven: Yale University Press;

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  10. Independently of Carl Lange, James discovered that ‘perception triggers visceral changes that are then appraised cognitively and labeled as emotions’; Nathanson, D. L. (1996). Introduction, in D. L. Nathanson (Ed.), Knowing Feeling: Affect, Script and Psychotherapy, New York: W.W. Norton.

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© 2015 Tom Bristow

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Bristow, T. (2015). Gift Songs. In: The Anthropocene Lyric: An Affective Geography of Poetry, Person, Place. Palgrave Pivot, London. https://doi.org/10.1057/9781137364753_3

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