Abstract
The issue in The Waste Land is vision—and understanding. Binaries populate the poem, and voices are many, and disparate. As a satire, the poem offers a negative or antithetical focus, specifically the wastelanders’ many incapacities and misunderstandings, separated as they are from the wellsprings of intellectual and spiritual sustenance. The famous pub scene in the second section highlights the problem, as it literalizes a central metaphor: life is aborted. The poem’s principal speaker, most prominent in the final part, participates in the widespread misunderstanding, craving water (despite the previous section, “Death by Water”). The poem actually suggests a different “approach” from that of the satirized speaker’s, bringing into serious question the desire merely to “shore” “fragments against [Bone’s] ruins” and to seek the peace that passeth understanding.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
T.S. Eliot, The Waste Land (New York: Boni and Liveright, 1922).
T.S. Eliot, Prufrock and Other Observations (London: Egoist Press, 1917).
T.S. Eliot, Ash-Wednesday: Six Poems (London: Faber and Faber, 1930).
T.S. Eliot, Four Quartets (New York: Harcourt, Brace, 1943).
Copyright information
© 2013 G. Douglas Atkins
About this chapter
Cite this chapter
Atkins, G.D. (2013). “Two and two, necessarye coniunction”: Toward Amalgamating the Disparate. In: T.S. Eliot and the Failure to Connect: Satire and Modern Misunderstandings. Palgrave Pivot, New York. https://doi.org/10.1057/9781137364692_2
Download citation
DOI: https://doi.org/10.1057/9781137364692_2
Publisher Name: Palgrave Pivot, New York
Print ISBN: 978-1-349-47740-1
Online ISBN: 978-1-137-36469-2
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)