Abstract
Extending from the idea of basic human rights, modern labour standards began to develop during the Industrial Revolution. Labour standards were initially local determinations in accordance with city and state laws. Reacting to the pressure created by unions and strikes, officials in the twentieth-century developed world designed labour standards to ensure a minimal level of protection for workers. As the supply of labour became greater than the demand, conditions arose that favoured few regulations in the interest of producing the highest and quickest profits. Corporations moved factories from first-world nations to developing countries in pursuit of the lowest costs in terms of wages and factory construction, as well as the greatest tax incentives. As corporations crossed borders and created jobs (elsewhere), people in developing countries also moved from the countryside to the city and from one country to the next to take jobs. The movement of workers, goods, services, technologies and capital generated an interdependence of local, regional, national and international economies that is known as globalization.
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Notes
See the official biography, Walter Isaacson, Steve Jobs: The Exclusive Biography (London: Little, Brown, 2011).
Mike Daisey, The Agony and the Ecstasy of Steve Jobs, Release 1.0, 21 February 2012, 25, accessed 5 March 2014, http://mikedaisey.com/Mike_Daisey_TATESJ_transcript_1.0.pdf.
Dave Mosher, ‘Largely Unaltered Show Goes On for Fact-Challenged Apple onologist,’ Wired, 19 March 2012 (updated), accessed 12 June 2014, http://www.wired.com/2012/03/show-goes-on-daisey/. See also Carol Martin, Dramaturgy of the Real on the World Stage (New York: Palgrave Macmillan, 2010).
Alison Forsyth and Chris Megson, ‘Introduction,’ in Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (New York: Palgrave Macmillan, 2009), 3.
See Mary Luckhurst, ‘Verbatim Theatre, Media Relations and Ethics,’ in A Concise Companion to Contemporary British and Irish Drama, ed. Nadine Holdsworth and Mary Luckhurst (Oxford: Blackwell, 2008), 200–22.
Yukari Iwatani Kane, Haunted Empire: Apple after Steve Jobs (London: William Collins, 2014), 126–5.
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© 2015 Carol Martin
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Martin, C. (2015). The Politics of Telling and Workers’ Rights: the Case of Mike Daisey. In: Luckhurst, M., Morin, E. (eds) Theatre and Human Rights after 1945. Palgrave Macmillan, London. https://doi.org/10.1057/9781137362308_9
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DOI: https://doi.org/10.1057/9781137362308_9
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