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The Great Australian Silence: Aboriginal Theatre and Human Rights

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Theatre and Human Rights after 1945

Abstract

For over 200 years Aboriginal people have fought for basic rights. In their struggle, the question of cultural respect and the right to live within their own traditions and law have been critical. From the first European colonial settlements in the late eighteenth century, Aboriginal Australians were denied humanity, let alone human rights, and over time they have faced seizure of their land, forced restriction to reserves and missions as well as massacres and punitive campaigns.1 Until the late 1970s, under various government legislations, Aboriginal people were explicitly denied rights of movement, rights to own property, the right to marry, rights to free association and the right to receive wages for their work. They had no recourse when their communities were massacred or forcibly relocated and enslaved, or when women and children were kidnapped and violated. They were also denied the right to speak their languages, practise their traditional spirituality, and live by traditional law.2

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Notes

  1. For example, see Garth Nettheim, ‘Queensland’s Laws for Aborigines,’ in Aborigines and the History of the Queensland Acts (Brisbane: Foundation for Aboriginal and Islander Action, 1976), 18–19.

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  2. W. E. H. Stanner, After the Dreaming (Sydney: Australian Broadcasting Commission, 1969), 25.

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  3. Mudrooroo (Narrogin), Writing from the Fringe (Melbourne: Hyland House, 1990), 167.

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  4. For further discussion see Maryrose Casey, Creating Frames: Contemporary Indigenous Theatre 1967–1990 (Brisbane: Queensland University Press, 2004).

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  5. John Chesterman and Brian Galligan, Citizens Without Rights (Cambridge: Cambridge University Press, 1997), 212–16.

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  6. Aileen Moreton-Robinson, ‘Imagining the Good Citizen,’ Cultural Studies Review 15, no. 2 (2009): 7.

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  7. Maryrose Casey, Telling Stories: Aboriginal and Torres Strait Performance (Melbourne: Australian Scholarly Publishing, 2012).

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  8. Rowland Atkinson, Elizabeth Taylor and Maggie Walter, ‘Burying Indigeneity: The Spatial Construction of Reality and Aboriginal Australia,’ Social and Legal Studies 19, no. 3 (2010): 311–30.

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  9. See also Ronald M. Berndt and Catherine H. Berndt, The World of the First Australians, 5th edn (Canberra: Aboriginal Studies Press, 1988);

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  10. Katie Glaskin, Myrna Tonkinson, Yasmine Musharbash and Victoria Burbank, eds., Mortality, Mourning and Mortuary Practices in Indigenous Australia (Farnham, UK: Ashgate, 2008).

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  11. See also Maryrose Casey, ‘Performing for Aboriginal Life and Culture: Aboriginal Theatre and Ngurrumilmarrmiriyu,’ Australasian Drama Studies 59 (2011): 53–68.

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  12. Northern Territory Emergency Response Review Board, Report of the Northern Territory Emergency Response Review Board (Canberra: Commonwealth of Australia, 2008), http://www.nterreview.gov.au/docs/report_nter_review.PDF.

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  13. Helen Gilbert and Joanne Tompkins, Postcolonial Drama: Theory, Practice, Politics (London: Routledge, 1996).

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  14. Western Australia accounted for 37 per cent of Aboriginal deaths in custody. See David Biles, David McDonald and Jillian Fleming, Australian Deaths in Prisons 1980–1988: An Analysis of Aboriginal and Non-Aboriginal Deaths, Royal Commission into Aboriginal Deaths in Custody, Research paper No. 11 (Canberra: Australian Institute of Criminology, 1989), 2–3.

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  15. See Matthew Lyneham and Andy Chan, Deaths in Custody in Australia to 30 June 2011: Monitoring Report No. 20 (Canberra: Australian Institute of Criminology, 2013).

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© 2015 Maryrose Casey

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Casey, M. (2015). The Great Australian Silence: Aboriginal Theatre and Human Rights. In: Luckhurst, M., Morin, E. (eds) Theatre and Human Rights after 1945. Palgrave Macmillan, London. https://doi.org/10.1057/9781137362308_5

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