Abstract
The film begins with a torrent of sound, a cascade of beats slicing through the film’s diegesis. Rattling and shivering. Unrelenting noise. The film seems to vibrate and knock against my body in a number of places — I want to soften this noise, mute it, but it continues, driving itself into the core of the film until it suddenly stops. There was never a chance to be inattentive to this film: I will be ‘dragged’ through it,1 pulled through its unpleasurable sensations.
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Notes
See Barbara Creed, The Monstrous-Femi nine: Film, Femi nism, Psychoanal ysis ( London: Routledge, 1993 ).
See Julia Kristeva, Melanie Kl ein,‘The Priority and Interiority of the Other’ (Columbia University Press: New York, 2001), trans. by Ross Guberman, p. 79.
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© 2015 Davina Quinlivan
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Quinlivan, D. (2015). Resistance and Reparation: Steve McQueen’s Hunger. In: Filming the Body in Crisis. Palgrave Macmillan, London. https://doi.org/10.1057/9781137361370_2
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DOI: https://doi.org/10.1057/9781137361370_2
Publisher Name: Palgrave Macmillan, London
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