Abstract
This project examines the ways that the technologically produced and reproduced image functions in twenty-first-century American horror films. My analyses cover a wide spectrum of horror subgenres: popular remakes of J-horror movies like The Ring (Verbinski, 2002), in which the technologically reproduced image serves as the film’s ghostly antagonist; “metahorrific” installations, such as the Scream series (Craven, 1996, 1997, 2000, 2011) and The Cabin in the Woods (Goddard, 2012), films that are conscious of their status as technological (re)productions; science-fiction/horror hybrids like Splice (Natali, 2009) and Prometheus (Scott, 2012), where advances in film technology and computer-generated images offer the viewer access to spectacles that radically redefine our understanding of humanity and its origins; and films in which the camera is a character in its own right, like the Paranormal Activity series (Peli, 2007; Williams, 2010; Schulman, 2011, 2012) and Cloverfield (Reeves, 2008). The thematic focus of Technology, Monstrosity, and Reproduction centers on the image as a site of monstrous birth. As threatening and ominous as these monsters may be, they also represent the possibility for a renewed belief in the reality of the world and humanity’s place within it.
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Notes
See Jameson’s Archaeologies of the Future: The Desire Called Utopia and other Science-Fictions (2005).
See Deleuze’s Cinema 1 and Cinema 2 (1986, 1989),
Stiegler’s Technics and Time 3 (2010),
and Hansen’s Embodying Technesis (2000).
This is the title of a recent work by Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (2000), in which he traces the links between the introduction of media technologies and belief in the supernatural and the occult.
See Jean Baudrillard’s Simulacra and Simulation (1994).
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© 2013 Kimberly Jackson
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Jackson, K. (2013). Introduction. In: Technology, Monstrosity, and Reproduction in Twenty-First Century Horror. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137360267_1
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DOI: https://doi.org/10.1057/9781137360267_1
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-47220-8
Online ISBN: 978-1-137-36026-7
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