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Golden Boughs, Fairy Books, and Holy Grails: The Making of a Myth-Saturated Culture

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Mythic Thinking in Twentieth-Century Britain
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Abstract

In a 1923 review of James Joyce’s Ulysses, the young poet and critic T.S. Eliot announced the emergence of a method of criticism and writing that would change both literature and the world:

In using the myth, in manipulating a continuous parallel between contemporaneity and antiquity, Mr. Joyce is pursuing a method which others must pursue after him …. It is simply a way of controlling, of ordering, of giving a shape and a significance to the immense panorama of futility and anarchy which is contemporary history …. Psychology … ethnology and The Golden Bough have concurred to make possible what was impossible even a few years ago. Instead of narrative method, we may now use the mythical method. It is, I seriously believe, a step toward making the modern world possible for art.1

By the time this review appeared, Eliot had already begun his own experiments with the “mythical method” in composing The Waste Land, a poem built around sustained reference to various myths. The assumption underlying Eliot’s mythical method was that contemporary civilization faced problems that could be redressed by deploying myth.

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Notes

  1. T.S. Eliot, “Ulysses, Order and Myth,” The Dial 75 (November 1923), 483.

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© 2013 Matthew Sterenberg

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Sterenberg, M. (2013). Golden Boughs, Fairy Books, and Holy Grails: The Making of a Myth-Saturated Culture. In: Mythic Thinking in Twentieth-Century Britain. Palgrave Macmillan, London. https://doi.org/10.1057/9781137354976_2

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  • DOI: https://doi.org/10.1057/9781137354976_2

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-99992-7

  • Online ISBN: 978-1-137-35497-6

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