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Where Do I Get Off? The Wobblies I.W.W. Spurn The Hairy Ape

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Class Divisions on the Broadway Stage

Part of the book series: Palgrave Studies in Theatre and Performance History ((PSTPH))

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Abstract

On Easter Sunday 1914, visitors flocked New York’s Fifth Avenue for the annual Easter Parade, a colorful and ostentatious display of spring fashion that had been going strong for some 40 years. The New York Times coverage at the time tells readers that many people were blocking traffic in an attempt to “appear in moving pictures.” The story also notes that the I .W.W. had threatened to crash the parade: “The I .W.W. leaders who had threatened to mix into the Fifth Avenue parade a few hundred followers selected with the idea of making by their appearance the strongest contrast with the rest of the brilliant spectacle failed to carry out their plan” (“Fifth Avenue Gay with Easter Host”). Had the plan been carried out, the sight would certainly have been an interesting one—the upper class, in its conscientious display of finery for purposes of simultaneously generating entertainment and admiration, forced to bump up against and rub shoulders with the decidedly shabbier working class (who, rumor had it, were going to “shabby up” even further to make their point).

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Notes

  1. See Ross Wetzsteon, Republic of Dreams, Greenwich Village: The American Bohemia, 1910–1960 (New York: Simon & Schuster, 2002), 4, on the subject of tourists accosting people in the village and asking “Are you a merry villager?” as early as 1916.

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  2. See David Savran, Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (Ann Arbor: University of Michigan Press, 2009) for a compelling narrative culminating in the widespread accep-tance of O’Neill as “the” important American playwright.

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  3. See Verity Burgmann, Revolutionary Industrial Unionism: The Industrial Workers of the World in Australia (New York: Cambridge University Press, 1995).

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© 2014 Michael Schwartz

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Schwartz, M. (2014). Where Do I Get Off? The Wobblies I.W.W. Spurn The Hairy Ape. In: Class Divisions on the Broadway Stage. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137353054_2

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