Abstract
The room was dark, hot and charged with an impending sense of anticipation. It took a single noise for everything to change into a melee of bodies flying, people charging, items being thrown, people getting hit and slammed into, voices shouting and screaming, and above it all the ringleaders ratcheting up the tension. This was no inner-city riot or clash with the police. The ringleaders were Jake Burns, Henry Cluney, Bruce Foxton and Dolphin Taylor. Collectively they were known as Stiff Little Fingers and it was their opening song, ‘Alternative Ulster’, that sparked this visceral and emotional response from their audience in Belfast.
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Cooper, David, The Musical Traditions of Northern Ireland and its Diaspora (Aldershot: Ashgate, 2010).
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Stewart, Francis, ‘Punk Rock is my Religion’, unpublished PhD thesis (School of Language, Culture and Religion, University of Stirling, 2011).
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© 2014 Francis Stewart
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Stewart, F. (2014). ‘Alternative Ulster’: Punk Rock as a Means of Overcoming the Religious Divide in Northern Ireland. In: Wolffe, J. (eds) Irish Religious Conflict in Comparative Perspective. Histories of the Sacred and the Secular 1700–2000. Palgrave Macmillan, London. https://doi.org/10.1057/9781137351906_5
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DOI: https://doi.org/10.1057/9781137351906_5
Publisher Name: Palgrave Macmillan, London
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