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The Struggle for Influence

II. Tartuffe in an Age of Absolutism

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Controversy in French Drama
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Abstract

It was seen in Chapter 1 that the newly incumbent Louis XIV was faced with a number of potential threats to the stability of his country and a number of fronts on which he would seek to assert his kingly authority. Above all, Louis had to avoid what was understood to be a genuine threat of schism within the Church. Although the Jansenist controversy and the Tartuffe controversy are not one and the same, they are intimately bound up in chronology and context and, crucially, to the extent that one needed to be resolved before the other could be. For, as will be seen, the crucial moments in the unraveling and subsequent resolution of the Jansenist controversy in the 1660s coincide almost exactly with the unraveling and subsequent resolution of the Tartuffe affair. The two controversies also involved two of the same protagonists: the Archbishop of Paris, Péréfixe, and Louis XIV himself. According to Salomon, Bazin was probably the first critic (in 1848) to note the relationship between the Peace of the Church and the lifting of the ban on Tartuffe.1 In Molière et le roi, Rey himself has more recently and for the most part very convincingly pushed the link further than anybody else. While my own reading is indebted to Rey’s, my emphasis is on interpreting those events via the notion of what I have called throughout this book the struggle for influence in the early reign of Louis XIV.

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Notes

  1. See Sedgwick for a useful and coherent overview of French Jansenism. For a fascinating account of the particular case of the rebellious nuns at Port-Royal, see Daniella Kostroun’s article, “A Formula for Disobedience: Jansenism, Gender, and the Feminist Paradox,” Journal of Modern History 75 (September 2003): 483–522, and her book, Feminism, Absolutism, and Jansenism: Louis XIV and the Port-Royal Nuns, New York: Cambridge University Press, 2011, hereafter referred to as “Formula” and Feminism, respectively.

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  2. Jean Loret, La muze historique, ou Recueil des lettres en vers à son Altesse Mademoiselle de Longueville, ed. J. Ravenel and E. D. V. de la Pelouze, 4 vols., Paris: P. Jannet, 1857–1878 (IV, 203).

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  3. See Paul Sonnino, Louis XIV’s View of the Papacy (1661–69), Berkeley: University of California Press, 1966, for an interesting account of the period that concerns us here. Much of the material concerning Chigi is taken from this volume.

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  4. Pierre Roulé, Le roy glorieux au monde, ed. Paul Lacroix, Geneva: Gay, 1867.

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  5. Œuvres complètes, ed. Raymond Picard, Pléiade, 2 vols., Paris: Gallimard, 1964 (II, 28).

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  6. Katia Béguin provides a useful chronology of Condé’s activities during the Fronde in Les Princes de Condé: rebelles, courtisans et mécènes dans la France du Grand Siècle, Paris: Champ Vallon, 1999 (142–44).

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  7. Orest Ranum, The Artisans of Glory: Writers and Historical Thought in Seventeenth-Century France. Chapel Hill: University of North Carolina Press, 1980 (297).

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  8. See Huguette Gilbert, “Les Nopces ducales et la Querelle de L’Ecole des femmes,” Dix-Septième Siècle 150 (1986): 73–74.

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  9. See, in addition to Bourqui, R. Lespire, “Le ‘libertinage’ de Molière et la portée de Dom Juan,” Revue belge de philologie et d’histoire 28: 1 (1950): 29–58;

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  10. Jacques Truchet, “Molière théologien dans Dom Juan,” Revue d’histoire littéraire de la France 72 (1972): 928–38; and Venesoen.

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  11. Madeleine Jurgens and Elizabeth Maxfield-Miller, Cent ans de recherches sur Molière, sur sa famille et sur les comédiens de sa troupe, Paris: Imprimerie Nationale, 1963 (409).

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  12. See P. Dieudonné, La paix clementine: défaite et victoire du premier jansénisme français sous le pontificat de Clément IX (1667–69), Leuven: Leuven University Press, 2003, 96–104, for details.

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  13. P. L. Jacob, “Une Epigramme à attribuer,” Le Moliériste 34 (January 1882), 302–4.

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© 2014 Julia Prest

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Prest, J. (2014). The Struggle for Influence. In: Controversy in French Drama. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137344007_6

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