Skip to main content

Star Wars, Limb Loss, and What It Means to Be Human

  • Chapter
Disability in Science Fiction

Abstract

In the Star Wars films, prosthetic augments and devices provide a technological “fix” to the “problem” of disability; they represent attempts to restore that which has been damaged to a sense of normality, shown on screen as wholeness or completeness.’ One example—and perhaps the most iconic to fans—is the replacement limb Luke receives after his hand is cut off by Darth Vader during their duel in The Empire Strikes Back (Episode V). However, the creation of a body that blends man and machine—a hybrid body—evokes a struggle as old as civilization itself in the West. It is a struggle familiar to the inhabitants of the ancient world and those who study it: the divide between nomos and phusis. Usually viewed as distinct orientations of being, the hybrid figure, I suggest, in its blending of man and machine, brings the pair together in the Star Wars universe.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Works Cited

  • Abrams, Jerold J. “A Technological Galaxy: Heidegger and the Philosophy of Technology in Star Wars.Star Wars and Philosophy: More Powerful Than You Can Possibly Imagine. Ed. Kevin S. Decker and Jason T. Eberl. Chicago: Open Court, 2005. 107–13. Print.

    Google Scholar 

  • Arp, Robert. “‘If Droids Could Think …’: Droids as Slaves and Persons.” Star Wars and Philosophy: More Powerful Than You Can Possibly Imagine. Ed. Kevin S. Decker and Jason T. Eberl. Chicago: Open Court, 2005. 120–31. Print.

    Google Scholar 

  • Baudrillard, Jean. The Transparency of Evil: Essays on Extreme Phenomena. Trans. James Benedict. London: Verso, 1993. Print.

    Google Scholar 

  • Baxter, John. Mythmaker: The Life and Work of George Lucas. New York: Avon/Spike, 1999. Print.

    Google Scholar 

  • Bortolin, Matthew. The Dharma of Star Wars. Boston: Wisdom, 2005. Print.

    Google Scholar 

  • Cartwright, Lisa, and Brian Goldfarb. “On the Subject of Neural and Sensory Prostheses.” The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future. Ed. Marquard Smith and Joanne Morra. Cambridge: MIT Press, 2006. 125–54. Print.

    Google Scholar 

  • Cherney, James L. “Sexy Cyborgs: Disability and Erotic Politics in Cronenberg’s Crash.” Screening Disability: Essays on Cinema and Disability. Ed. Christopher R. Smit and Anthony Enns. Lanham: UP of America, 2001. 165–80. Print.

    Google Scholar 

  • Decker, Kevin S., and Jason T. Eberl, eds. Star Wars and Philosophy: More Powerful Than You Can Possibly Imagine. Chicago: Open Court, 2005. Print.

    Google Scholar 

  • Donnelly, Jerome. “Humanizing Technology: Flesh and Machine in Aristotle and The Empire Strikes Back.Star Wars and Philosophy: More Powerful Than You Can Possibly Imagine. Ed. Kevin S. Decker and Jason T. Eberl. Chicago: Open Court, 2005. 181–91. Print.

    Google Scholar 

  • Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. New York: Columbia UP, 1997. Print.

    Google Scholar 

  • Haraway, Donna J. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge, 1991. Print.

    Google Scholar 

  • Henderson, Mary S. Star Wars: The Magic of Myth. New York: Spectra, 1997. Print.

    Google Scholar 

  • Hughes, Bill, and Kevin Paterson. “The Social Model of Disability and the Disappearing Body: Towards a Sociology of Impairment.” Disability and Society 12.3 (1997): 325–40. Print.

    Article  Google Scholar 

  • Keathley, Christian. “Trapped in the Affection-Image: American Cinema’s Post-Traumatic Cycle (1970–1976).” Screening Disability: Essays on Cinema and Disability. Ed. Christopher R. Smit and Anthony Enns. Lanham: UP of America, 2001. 99–116. Print.

    Google Scholar 

  • Kern, Otto. Inscriptiones Graecae. Bonn: Marcus et Weber, 1913. Print.

    Google Scholar 

  • Liveley, Genevieve. “Science Fictions and Cyber Myths.” Laughing with Medusa: Classical Myth and Feminist Thought. Ed. Vanda Zajko and Miriam Leonard. Oxford: Oxford UP, 2006. 275–94. Print.

    Google Scholar 

  • Longmore, Paul. “Screening Stereotypes: Images of Disabled People in Television and Motion Pictures.” Social Policy 16.1 (Summer 1985): 31–38. Print.

    Google Scholar 

  • Mackey-Kallis, Susan. The Hero and the Perennial Journey Home in American Film. Philadelphia: U of Pennsylvania P, 2001. Print.

    Book  Google Scholar 

  • Plutarch. Plutarch’s Lives: Clough’s Translation. 1923. Charleston: BiblioBazaar, 2011.

    Google Scholar 

  • Porter, John M. The Tao of Star Wars. Atlanta: Humanics Trade Group, 2003. Print.

    Google Scholar 

  • Quayson, Ato. Aesthetic Nervousness: Disability and the Crisis of Representation. New York: Columbia UP, 2007. Print.

    Google Scholar 

  • Riley, Charles A. Disability and the Media: Prescriptions for Change. Hanover: UP of New England, 2005. Print.

    Google Scholar 

  • Rogers, Brett M., and Benjamin Stevens. “Review Essay: Classical Receptions in Science Fiction.” Classical Receptions Journal 4.1 (2012): 127–47. Print.

    Article  Google Scholar 

  • Seabrook, John. Nobrow: The Culture of Marketing-the Marketing of Culture. New York: Knopf, 2000. Print.

    Google Scholar 

  • Smith, Jeffrey A. “Hollywood Theology: The Commodification of Religion in Twentieth-Century Films.” Religion and Culture: A Journal of Interpretation 11.2 (2001): 191–231. Print.

    Article  Google Scholar 

  • Snyder, Sharon L., and David T. Mitchell. “Body Genres: An Anatomy of Disability in Film.” The Problem Body: Projecting Disability on Film. Ed. Sally Chivers and Nicole Markotie. Columbus: Ohio State UP, 2010. 179–204. Print.

    Google Scholar 

  • Star Wars: The Complete Saga (Episodes I–VI). Dir. George Lucas. 1977. 1980. 1983. 1999. 2002. 2005. Twentieth Century Fox, 2011. DVD.

    Google Scholar 

  • Stiker, Henri-Jacques. A History of Disability. Trans. William Sayers. Ann Arbor: U of Michigan P, 1997. Print.

    Google Scholar 

  • Stuart, Rick D. Star Wars: Galladinium’s Fantastic Technology: Guns and Gear for Any Occasion. Honesdale: West End Games, 1995. Print.

    Google Scholar 

  • Vehmas, Simo, and Pekka Mäkelä. “The Ontology of Disability and Impairment: A Discussion of the Natural and Social Features.” Arguing about Disability: Philosophical Perspectives. Ed. Kristjana Kristiansen, Simo Vehmas, and Tom Shakespeare. New York: Routledge, 2009. 42–56. Print.

    Google Scholar 

  • Williams, Simon J. “Is Anybody There? Critical Realism, Chronic Illness, and the Disability Debate.” Sociology of Health and Illness 21 (1999): 797–819. Print.

    Article  Google Scholar 

  • Winkler, Martin M. “Star Wars and the Roman Empire.” Classical Myth and Culture in the Cinema. Ed. Martin M. Winkler. Oxford: Oxford UP, 2001. 272–90. Print.

    Google Scholar 

Download references

Authors

Editor information

Kathryn Allan

Copyright information

© 2013 Kathryn Allan

About this chapter

Cite this chapter

Covino, R. (2013). Star Wars, Limb Loss, and What It Means to Be Human. In: Allan, K. (eds) Disability in Science Fiction. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137343437_8

Download citation

Publish with us

Policies and ethics