Abstract
From his first publications of Riprap to the completion of Mountains and Rivers Without End and most recently in Danger on Peaks, Snyder has been interested in examining, through poetry, the relationship between humanity and its environment. As I have reiterated throughout my examination of Snyder, his poetry focuses on the interplay between humanity and the natural world and the ensuing ideas and meditations such an interchange inspires. Accordingly, a recurrent eco-Romantic and Buddhist theme in Snyder’s poetry and ideas is the interconnectedness of all things. However, whether this goal of universal interconnectedness as expressed through poetry is achievable in Snyder’s poetry and poetics is a question to be continually explored. I would assert that Snyder’s poetry is often most interesting and most successful when he does not achieve this interconnectedness. Rather, it is the striving for interpenetration and not necessarily the attainment of it that makes his poetry significant.
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Notes
ÅkeBergvall, “Of Mountains and Men: Vision and Memory in Wordsworth and Petrarch,” Connotations 7.1 (1997–1998): 44–57, Aug. 10, 2008, 44.
Marjorie Hope Nicholson, Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite, (1959; Seattle: University of Washington Press, 1997), Weyerhaeuser Environmental Classics, xiv.
Ekbert Faas, Towards a New American Poetics: Essays and Interviews (Santa Barbara, CA: Black Sparrow Press, 1978), 134.
Jonathan Wordsworth, The Music of Humanity: A Critical Study of Wordsworth’s Ruined Cottage Incorporating Texts from a Manuscript of 1799–1800 (London: Thomas Nelson, 1969), 139.
Wallace Stevens, The Collected Poems of Wallace Stevens (London: Faber and Faber, 1955), 55–56.
David R. Kinsley, Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition (Berkley, CA: University of California Press, 1986), 48.
Heinrich Zimmer, Myths and Symbols in Indian Art and Civilization, ed. Joseph Campbell (1946; Princeton: Princeton University Press, 1972), 157.
Michael O’Neill, The Human Mind’s Imaginings: Conflict and Achievement in Shelley’s Poetry (Oxford: Clarendon, 1989), 106.
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© 2013 Paige Tovey
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Tovey, P. (2013). Mountains as Romantic Emblems of Revelation. In: The Transatlantic Eco-Romanticism of Gary Snyder. The New Urban Atlantic. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137340153_8
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DOI: https://doi.org/10.1057/9781137340153_8
Publisher Name: Palgrave Macmillan, New York
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