Abstract
In October 2013, as we compose this introduction, two news stories emerge that strike at the heart of this study. Asda, Tesco and Amazon have been forced to withdraw their fancy dress costumes — ‘Mental Patient’ and ‘Psycho Ward’ — following extensive complaints regarding the stigmatising nature of the costumes. The outfits comprised a blood stained, ripped white shirt, with machete accessory to ‘complete the look’ (‘Mental Patient’), and an orange boiler suit with ‘Psycho Ward’ on the chest and ‘Committed’ on the back accessorised with a Hannibal Lecter-esque face mask and over-size syringe (‘Psycho Ward’). After with drawing the costumes, Asda rapidly made what it described as a ‘size able’ donation to Mind.1 Shortly after this Thorpe Park, a theme park in Surrey, received a barrage of criticism for its ‘Fright Night’ experience set inside a ‘psychiatric asylum’. Visitors can pay to go inside a series of mazes at night for an experience along the lines of the old-fashioned haunted houses that used to populate amusement parks, seafronts and fairs. The most popular maze is called ‘The Asylum’ and features actors dressed as ‘lunatics’, that is in straitjackets covered in blood and with ghoulish painted faces. These actors then chase visitors around the mocked-up asylum with chainsaws and other weapons.
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Notes
For a detailed discussion of cultural images of psychiatric asylums please see Anna Harpin, ‘(Re) Visiting the Puzzle Factory: Cultural Representations of Psychiatric Asylums’, Interdisciplinary Science Reviews, 38, 4, December 2013, pp. 335–50.
See also discussion on this within social psychology, including J.L.H. Foster, Journeys Through Mental Illness: Clients’ Experiences and Understandings of Mental Distress (Basingstoke: Palgrave, 2007).
For a detailed discussion of this subject see Darian Leader’s What is Madness? (London: Penguin, 2011).
Plato, The Symposium, trans. by Walter Hamilton (Harmondsworth: Penguin, 1951) and Phaedrus, trans. by Walter Hamilton (Harmondsworth: Penguin, 1973).
Ellen Kaplan and Sarah J. Rudolph, Images of Mental Illness Through Text and Performance (New York: Edwin Mellen Press, 2005), p. 3.
Amelia Howe Kritzer, ‘Madness and Political Change in the plays of Caryl Churchill’, in Themes in Drama: Madness in Drama, ed. by James Redmond (Cambridge: Cambridge University Press, 1993), p. 216.
Lynette Goddard, ‘Middle Class Aspirations and Black Women’s Mental (Ill) Health in Zindika’s Leonora’s Dance and Bonnie Greer’s Munda Negra and Dancing on Blackwater’, in Cool Britannia? British Political Drama in the 1990s, ed. by Rebecca D’Monté and Graham Saunders (London: Palgrave, 2008), p. 98.
R.D. Laing and Aaron Esterson, Sanity, Madness and the Family (London: Tavistock, 1964).
R.D. Laing, The Divided Self (London: Tavistock, 1960).
David Cooper, The Language of Madness (Harmondsworth: Penguin, 1978) p. 149.
Thomas Scheff, Being Mentally Ill (Chicago: Aldine Publishing Company, 1966).
Howard S. Becker, Outsiders: Studies in the Sociology of Deviance (New York: Free Press, 1963).
Erving Goffman, The Presentation of the Self in Everyday Life (London: Anchor, 1959).
Erving Goffman, Asylums: Essays on the Social Situation of Mental Patients and Other Inmates (New York: Doubleday, 1961).
See, for example, P. Miller and N. Rose (eds), The Power of Psychiatry (Cambridge: Polity, 1986).
Michel Foucault, Madness and Civilisation (London: Pantheon, 1964).
Roy Porter, A Social History of Madness (London: Weidenfeld and Nicolson, 1987).
Andrew Scull, Madhouse: A Tragic Tale of Megalomania and Modern Medicine (London: Yale University Press, 2007).
Roy Porter, Madness: A Brief History (Oxford: Oxford University Press, 2002).
See Porter, A Social History of Madness, and Juliet Foster, ‘What Can Social Psychologists learn from Architecture? The Asylum as Example’, forthcom ing in 31. Anne Rogers and David Pilgrim, Mental Health Policy in Britain (Basingstoke: Palgrave, 2001).
T. Burns, L. Gargan, L. Walker, S. Heatherington, B. Topping-Morris, C. Vellonoweth, M. Deahl, D James, N. McDougall and J. Richards, ‘Not Just Bricks and Mortar: Report of the Royal College of Psychiatrists Working Party on the Size, Staffing, Structure, Siting, and Security of New Acute Adult Psychiatric In-Patient Units’, Psychiatric Bulletin, 22, 1998, pp. 465–6.
Gail Hornstein, Agnes’s Jacket: A Psychologist’s Search for the Meaning of Madness (New York: Rodale, 2009).
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© 2014 Anna Harpin and Juliet Foster
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Harpin, A., Foster, J. (2014). Introduction: Locating Madness and Performance. In: Harpin, A., Foster, J. (eds) Performance, Madness and Psychiatry. Palgrave Macmillan, London. https://doi.org/10.1057/9781137337252_1
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DOI: https://doi.org/10.1057/9781137337252_1
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