Abstract
Sydney’s Entertainment Centre holds almost 13,000 people. Add to those people their dead relatives. Add again a few coincidental connections to the dead friends of those dead relatives, and combining the dead and the alive, psychic medium John Edward has an enormous crowd to please. In my youth, I spent some years watching Edward’s television programme Crossing Over with John Edward on cable TV. But now Edward is here in person. His website claims that this Sydney tour sold out in 15 minutes, placing him amongst the vendor’s bestselling acts of all time. A murmur erupts as the stage compère arrives to ‘rev us up’. We have come to see John Edward in action. Clap. We have come to witness the real thing. Clap.We have come to be in the presence of dead people. Clap.We have even come to talk to a few of our own. Clap… clap… clap… and with that, John Edward — the world’s first self-proclaimed ‘media medium’ — enters the arena.1
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Notes
John Edward, Crossing Over: The Stories Behind the Stories (New York: Princess Books, 2001), p. xv.
Kevin Christopher, ‘“I Speak to Dead People”: Medium John Edward Hosts SciFi Cable Show’, Skeptical Inquirer 24.5 (2000), p. 9.
Avery F. Gordon, Ghostly Matters: Haunting and the Sociological Imagination (Minneapolis: University of Minnesota Press, 1997), p. 201.
Leon Jaroff, ‘Talking to the Dead’, Time 157.9 (5 March 2001), p. 52.
Tom Gliatto and Natasha Stoynoff, ‘Medium Rare’, People Weekly 57.17 (6 May 2002), pp. 85–6, p. 85.
John Potts, ‘The Idea of the Ghost’ in John Potts and Edward Scheer (eds.) Technologies of Magic: A Cultural Study of Ghosts, Machines and the Uncanny (Sydney: Power Publications, 2006), pp. 78–91.
Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (Durham: Duke University Press, 2000), pp. 49–50
Erik Davis, Tech Gnosis: Myth, Magic & Mysticism in the Age of Information (New York: Three Rivers Press, 1998).
Alison Landsberg, ‘Memory, Empathy, and the Politics of Identification’, International Journal of Politics, Culture and Society 22 (2009), pp. 221–9, p. 222.
Sara Ahmed, ‘Happy Objects’ in Melissa Gregg and Gregory J. Seigworth (eds.) The Affect Theory Reader (Durham: Duke University Press, 2010), pp. 29–51, p. 40.
Brian Massumi, ‘The Future Birth of the Affective Fact: The Political Ontology of Threat’ in Melissa Gregg and Gregory J. Seigworth (eds.) The Affect Theory Reader (Durham: Duke University Press, 2010), pp. 52–70, p. 63, p. 65.
Richard Grusin, ‘Remediation and Premediation’, Criticism 46.1 (2004), pp. 17–40, p. 23.
Jon Dovey, Freakshow: First Person Media and Factual Television (London: Pluto Press, 2000), p. 10.
Nigel Thrift, Non-Representational Theory: Space, Politics, Affect (Hoboken: Routledge, 2007), p. 184.
Laura Grindstaff, The Money Shot: Trash, Class and the Making of TV Talk Shows (Chicago: University of Chicago Press, 2002).
Josh Wolk, ‘Tomb Reader’, Entertainment Weekly 614 (14 September 2001), pp. 57–9, p. 57.
Mary Marshall Clark, ‘The September 11, 2001, Oral History Narrative and Memory Project: A First Report’, The Journal of American History 89.2 (September 2002), pp. 569–79, p. 569.
Slavoj Zizek, Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates (London: Verso, 2002), p. 13.
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© 2014 Bryoni Trezise
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Trezise, B. (2014). Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV. In: Performing Feeling in Cultures of Memory. Palgrave Macmillan Memory Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137336224_4
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DOI: https://doi.org/10.1057/9781137336224_4
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