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The Human as Desiring Machine: Anime Explorations of Disembodiment and Evolution

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Exploring the Limits of the Human through Science Fiction

Part of the book series: American Literature Readings in the 21st Century ((ALTC))

Abstract

Humans are desiring machines, but what is the nature of this desire? How can we conceive of a psychic structure so amorphous yet so intimately linked to our very nature? One could argue that desire operates as the fundamental motor of human endeavor on both an individual and socio-cultural level and that it represents the most instrumental force in the production of identity, social interaction, and society, hence marking desire as one of the most basic components in any definition of “the human.” Our investigation ended in the first chapter by turning toward desire and its relation to definitions of the human. Now we must return to this concept again because desire functions as perhaps the most central attribute of the human—it is the attribute that, in a sense, conditions all others. It is both a limitation of the human and the impetus that drives humankind to question and reach beyond its limits. If it is such a powerful and complex force, then how are we to consider desire’s structure? As we saw toward the end of chapter 1, Jacques Lacan argues that human identity is predicated upon a fundamental “lack” that acts as the crux and thrust of all human desire: “Desire is a relation of being to lack. This is the lack of being properly speaking. It isn’t the lack of this or that, but lack of being whereby the being exists” (Lacan, Seminar II 223).

The programme of becoming happy, which the pleasure principle imposes on us […] cannot be fulfilled; yet we must not—indeed we cannot—give up our efforts to bring it nearer to fulfillment by some means or other.

Sigmund Freud (Civilization 34)

Every time desire is betrayed, cursed, uprooted from its field of immanence, a priest is behind it. The priest cast the triple curse on desire: the negative law, the extrinsic rule, and the transcendent ideal. Facing north, the priest said, Desire is lack (how could it not lack what it desires?). The priest carried out the first sacrifice, named castration, and all the men and women of the north lined up behind him, crying in cadence, “Lack, lack, it’s the common law.”

Deleuze and Guattari (Plateaus 154)

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Notes

  1. For other important cyberpunk novels, see Bruce Sterling’s Schismatrix (1985) and Islands in the Net (1989);

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  2. Pat Cadigan’s Synners (1991), Tea from an Empty Cup (1998), and The Dervish is Digital (2000);

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  3. John Shirley’s A Song Called Youth trilogy (Eclipse [1985], Eclipse Penumbra [1988], and Eclipse Corona [1990]); and

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  4. Rudy Rucker’s The Ware Tetralogy (Software [1982], Wetware [1988], Freeware [1997], and Realware [2000]).

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  5. William S. Burroughs’s novels provide the first sustained body of work dedicated to explorations of body horror, but the genre can no doubt be traced back to horror authors such as H. P. Lovecraft and absurdist works like Franz Kafka’s “In the Penal Colony” (1919) and The Metamorphosis (1915). The genre began to truly blossom in the late 1970s and early 1980s with directors such as Ridley Scott, David Cronenberg, and John Carpenter. See Ridley Scott’s Alien (1979);

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  6. David Cronenberg’s Shivers (1975), Rabid (1976), The Brood (1979), Scanners (1981), Videodrome (1983), and The Fly (1986); and

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  7. John Carpenter’s The Thing (1982).

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  8. See Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968), the novel that served as the basis for Ridley Scott’s Blade Runner.

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  9. Numerous classic works of science fiction have imagined gestalt forms of consciousness. For one example, see my discussion of Arthur C. Clarke’s Childhood’s End in the introduction and conclusion of this study. Greg Bear’s Blood Music (1985) follows a cellular biologist who turns each of his cells into sentient beings that subsequently refashion his body and soon the entire world into a collective lifeform. In a slightly different vein, Octavia Butler’s “Patternist Series” details the millennia-long development of psychic powers that mentally link all individuals together. The series features five novels: Patternmaster (1976), Mind of My Mind (1977), Survivor (1978), Wild Seed (1980), and Clay’s Ark (1984).

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© 2012 Gerald Alva Miller, Jr.

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Miller, G.A. (2012). The Human as Desiring Machine: Anime Explorations of Disembodiment and Evolution. In: Exploring the Limits of the Human through Science Fiction. American Literature Readings in the 21st Century. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137330796_3

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