Abstract
In the preface to The Quintessence of Ibsenism Shaw remarks that during the spring of 1890 he and his fellow Fabians were at a loss for a topic to which to devote a series of lectures for that coming summer. Finally, they were “compelled to make shift with a series of papers put forward under the general heading ‘Socialism in Contemporary Literature’” (vii). Such are the humble beginnings of what has turned out to be one of Shaw’s most fascinating essays. Shaw delivered the lecture at St. James’s restaurant on the evening of 18 July 1890. It was not long after this that Ibsen took London by storm, and Shaw thought it an opportune time to revise and expand his original essay and add it to the many discordant voices just then arguing over the relative merits or demerits of the Norwegian playwright. It was first published in the summer of 1891. Since then the essay has usually been understood as a good indicator of Shaw’s own thinking, rather than a reliable guide to understanding Ibsen’s dramaturgical strategy and philosophy of life: the quintessence of Shavianism rather than the quintessence of Ibsenism.
He who had to all appearance mocked at the faiths in the forgotten past discovered a new god in the unimaginable future. He who had laid all the blame on ideals set up the most impossible of all ideals, the ideal of a new creature.
G.K. Chesterton1
This chapter will be focusing on the 1891 first edition of The Quintessence of Ibsenism. Page numbers will follow quotes in the body of the text. George Bernard Shaw, The Quintessence of Ibsenism (New York: Dover, 1994). Unless otherwise noted, all quotes from Shaw’s plays and prefaces will be from the edition, Bernard Shaw: Complete Plays and Prefaces, six volumes (New York: Dodd, Mead and use of apostrophes is often idiosyncratic.
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Notes
From Chesterton’s Heretics, quoted in Davis S. Thatcher, Nietzsche in England: 1890–1914 (Toronto: University of Toronto Press, 1970) 210.
Charles A. Carpenter, Bernard Shaw and the Art of Destroying Ideals (Madison: University of Wisconsin Press, 1969) 13.
A.M. Gibbs, Bernard Shaw: A Life (Gainseville: University Press of Florida, 2005) 236.
Michael Holroyd, Bernard Shaw, vol 1, 1856–1898: The Search for Love (New York: Random House, 1988) 197–98.
Albert Camus, The Rebel: An Essay on Man in Revolt. Trans. Anthony Bower (New York: Vintage, 1991) 65–66.
Compare Perry Ellis on Marshall Berman’s treatment of Marx: “For all its exuberance, Berman’s version of Marx, in its virtually exclusive emphasis on the release of the self, comes uncomfortably close—radical and decent though its accents are—to the assumptions of the culture of narcissism.” Perry Anderson, “Modernism and Revolution.” Marxism and the Interpretation of Culture. Ed. Cary Nelson and Lawrence Grossberg (Urbana: University of Illinois Press, 1988) 331.
Mathew Arnold, Culture and Anarchy. Ed. Samuel Lipman (New Haven: Yale University Press, 1994) 109.
James W. Hulse, Revolutionists in London: A Study of Five Unorthodox Socialists (Oxford: Clarendon Press, 1970) 119.
Bernard Shaw, The Rationalization of Russia. Ed. Harry M. Geduld (Bloomington: Indiana University Press, 1964) 108.
Robin Blick, The Seeds of Evil: Lenin and the Origins of Bolshevik Elitism (London: Steyne Publications, 1995) xi.
Bernard Shaw, “Sixty Years of Fabianism.” Fabian Essays: Jubilee Edition. Ed. Bernard Shaw (London: George Allen & Unwin, 1948) 229.
George Bernard Shaw, “The Illusions of Socialism.” Selected Non-Dramatic Writings of Bernard Shaw. Ed. Dan H. Laurence (Boston: Houghton Mifflin Company, 1965) 407.
Jose Ortega y Gasset, The Revolt of the Masses. Trans. Anonymous (New York: Norton, 1932) 50.
Michael Meyer, Ibsen: A Biography (Garden City: Doubleday & Company, 1971) 509.
Henrik Ibsen, An Enemy of the People. Four Great Plays By Henrik Ibsen. Trans. R. Farquharson Sharp (New York: Bantam Books, 1959) 195.
Halib C. Malik, Receiving Soren Kierkegaard: The Early Impact and Transmission of His Thought (Washington DC.: The Catholic University of America Press, 1997) 155.
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© 2013 Matthew Yde
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Yde, M. (2013). Previsions of the Superman in the Coming Age of Will: The Quintessence of Ibsenism. In: Bernard Shaw and Totalitarianism. Palgrave Macmillan, London. https://doi.org/10.1057/9781137330208_2
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DOI: https://doi.org/10.1057/9781137330208_2
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