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Part of the book series: Palgrave Historical Studies in Witchcraft and Magic ((PHSWM))

Abstract

While the Devil does not figure prominently, and sometimes not at all, in earlier witch trials, by the end of the sixteenth century he had become a conspicuous presence, a figure that hovered close to every good and godly citizen in the land, a position reinforced from a theological standpoint and, by extension, through the teachings of the church. He leapt out of the printed pages of the Bible and walked among us, stalking and waiting for his opportunity to seep into human minds, bodies and souls. In the post-Reformation era, images and iconography of the Devil had been destroyed and almost entirely erased, yet he loomed large in the collective consciousness of Scottish society, instilled into the psyche through sermons and instruction by the clergy. In the near absence of native visual depictions of the Devil, it was left to the human imagination, verbal communications from the pulpit, and to centuries of traditional tales and legends, to put meat on his incorporeal bones. As a consummate shapeshifter, liar and deceiver, the form by which the Devil might appear to mortals was potentially limitless, guided only by the boundaries of our imaginative processes. The lack of a visual culture — which lasted until at least the eighteenth century when his image began to quietly surface once again — may only have served to drive the Devil deeper into the Scottish soul, forcing everyone, regardless of their social status, to examine their internal conscience, and not just their outward actions, with a closer degree of scrutiny than ever before.

Here Mausy lives, a witch that for a sma’ price

Can cast her cantraips and gi’e me advice;

She can o’ercast the night, and cloud the moon,

And mak the deils obedient to her crune.1

Allan Ramsay, The Gentle Shepherd (1725)

There sat auld Nick, in shape o’ beast;

A towzie tyke [shaggy dog], black, grim, and large,

To gie them music was his charge:

He scre’d [screwed] the pipes and gart them skirl [squeal],

Till roof and rafters a’ did dirl [ring].

Robert Burns, “Tam o’Shanter” (1790)

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Notes

  1. Other designations used in Scotland include Donald Dubh (Gaelic), the Goodman, the Halyman (in the North East), Auld Sym, the Auld Ane or One, the Auld Carl or Chiel, Auld Harry, Auld Sandy, Whaupneb and the Earl of Hell. Mahoun, from Mahomet, was used in Scotland since 1475 but probably dates from the time of the Crusades. John Burnett, Robert Burns and the Hellish Legions (Edinburgh: National Museums Scotland, 2009) 29;

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Henderson, L. (2016). Darkness Visible. In: Witchcraft and Folk Belief in the Age of Enlightenment. Palgrave Historical Studies in Witchcraft and Magic. Palgrave Macmillan, London. https://doi.org/10.1057/9781137313249_5

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  • DOI: https://doi.org/10.1057/9781137313249_5

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-59313-2

  • Online ISBN: 978-1-137-31324-9

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