Skip to main content
  • 342 Accesses

Abstract

Before the independence of Kenya from the United Kingdom in 1963, foreign production companies used Kenya as a backdrop for films shot in the country. After becoming a republic, film production started to rise, however, the quality of production values were extremely low. After the year 2000, the number of films created in the country rose due to the advent of digital video and accessible technology. Film scholar Wanjiku Beatrice Mukora, born and raised in Kenya, writes:

Women filmmakers have been very significant in forming the foundations of national cinema in Kenya. They comprise more than fifty percent of filmmakers with men occupying positions of cameramen, members of the lighting crew and other assistant or behind-the-scene posts. (Mukora 1999: 43)

Kenyan documentary producer and media advisor Dommie Yambo-Odotte states that it hard for men to enter cinema production due to financing — but even more difficult for the women (Ouédraogo 1995: 20). Most of the films produced by Kenyan women have been documentary and educational films. The Kenyan Film Commission was established in 2005 and promotes Kenyan filmmakers, as well as offering incentives to foreign production entities to shoot in the country.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 169.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 219.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 219.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Mukora, Wanjiku Beatrice. 1999. ‘Disrupting Binary Divisions’: Representation of Identity in Saikati and Battle of the Sacred Tree. Source: digitool.library.mcgill.ca (accessed 2 October 2014).

    Google Scholar 

  • Ouédraogo, Noufou. 1995. ‘Dommie Yambo Odotte’, African Screen, 12 (2): 20–1.

    Google Scholar 

  • Seibel, Brendan. 2010. ‘Kenyan Sci-Fi Short Pumzi Hits Sundance with Dystopia’, WIRED, 22 January, n.p.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2015 Jeremy B. Warner

About this chapter

Cite this chapter

Warner, J.B. (2015). Kenya. In: Nelmes, J., Selbo, J. (eds) Women Screenwriters. Palgrave Macmillan, London. https://doi.org/10.1057/9781137312372_5

Download citation

Publish with us

Policies and ethics