Abstract
Although frequently overlooked, the 1970s was a pivotal decade in postwar British history. As with histories of its visual culture, most historical accounts fail to consider the cultural, social and political diversity of the decade, focusing instead on significant events or broader trends. Conventional histories focus on issues such as the economic instability partially caused by the oil crisis of 1973, and the massive rise in inflation which peaked at 24.2% in 1975.1
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A. Sutcliffe, An Economic and Social History of Western Europe Since1945 (Harlow: Longman, 1996), p. 204.
D. Sandbrook, State of Emergency. The Way We Were: Britain1970–1974 (Penguin Books; London 2011).
N. Shrapnel, The 70’s: Britain’s Inward March (London: Constable, 1980), p. 13.
C. Booker, The 70s: Portrait of a Decade (London: Penguin Books, 1980).
A. Walker, National Heroes: British Cinema in the 70s and 80s (London: Harrap, 1985).
M. Bloch, The Historian’s Craft, 7th Edition (Manchester: Manchester University Press, 1992), p. 48.
R. Weight, Patriots: National Identity in Britain 1940–2000 (London: Macmillan Press, 2002).
A. Marr, A History of Modern Britain (London: Macmillan Press, 2007).
A. Marwick, ‘Locating Key Texts Amid the Distinctive Landscape of the Sixties,’ in A. Aldgate, J. Chapman and A. Marwick (eds), Windows on the Sixties: Exploring key texts of Media and Culture (London: I.B. Tauris, 2000), p. xii.
N. Shrapnel, The 70’s, op. cit., p. 13. A.W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008).
E. Hobsbawm, Age of Extremes: The Short 20th Century 1914–1991 (London: Michael Joseph, 1984), p. 404.
M. Garnett, From Apathy to Anger: The Story of Politics, Society and Popular Culture in Britain since 1975 (London: Vintage Books, 2008).
A. Beckett, When the Lights Went Out: Britain in the 1970s (London: Faber and Faber, 2009), p. 5.
A. Marwick, Culture in Britain Since 1945 (Oxford: Basil Blackwell, 1991), p. 97 and A. Marr, A History of Modern Britain, op. cit., p. 359.
H. Sounes, Seventies: The Sights, Sounds and Ideas of a Brilliant Decade (London: Simon & Schuster, 2006).
B. Moore-Gilbert (ed), The Arts in the 1970s: Cultural Closure? (London: Routledge, 1994).
R. Hewison, Too Much: Art and Society in the Sixties1960–75 (London: Methuen, 1986).
J.A. Walker, Left Shift: Radical Art in 1970s Britain (London: I.B Tauris, 2002).
R. Williams, Problems in Materialism and Culture (London: Verso Editions and NLB, 1980), p. 38.
J. Walker, The Once and Future Film: British Cinema in the Seventies and Eighties (London: Methuen, 1985).
E. Betts, The Film Business (London: George Allen and Unwin, 1973).
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S. Street, British National Cinema (London: Routledge: 1997).
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L. Hunt, British Low Culture: From Safari Suits to Sexploitation (London: Routledge. 1998).
A. Higson, ‘A Diversity of Film Practices: Renewing British Cinema in the 1970s,’ in Bart Moore-Gilbert (ed), The Arts in the 1970s: Cultural Closure? (London: Routledge, 1994), pp. 218–237, p. 227.
S. Chibnall and J. Petley (eds), British Horror Cinema (London: Routledge, 2002).
A. Medhurst, ‘Music Hall and British Cinema,’ in C. Barr (ed), All Our Yesterdays: Ninety Years of British Cinema (London: BFI Publishing, 1986), pp. 168–188 and ‘Carry On Camp,’ Sight and Sound, Volume 2, Number 4 (1992), pp. 16–19.
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S. Chibnall, ‘A Heritage of Evil: Pete Walker and the Politics of Gothic Revisionism,’ in S. Chibnall and J. Petley (eds), British Horror Cinema (London: Routledge, 2002), pp. 156–171.
Publications which cover Carry On and the sexploitation film include D. McGillivray, Doing Rude Things: The History of the British Sex Film 1957–1981 (London: Sun Tavern Fields, 1992).
S. Sheridan, Keeping the British End Up: Four Decades of Saucy Cinema (Richmond: Reynolds and Hearn, 2005).
M. Bright and R. Ross, Carry On Uncensored (London: Boxtree 1999).
I. Conrich, ‘Forgotten Cinema: The British Style of Sexploitation,’ Journal of Popular British Cinema, Volume 1, Number 1 (1998) pp. 87–100.
M. Anderson ‘Stop Messing About: The Gay Fool in Carry On Films,’ Journal of Popular British Cinema, Volume 1, Number 1 (1998), pp. 37–47.
C. McCabe, Performance, BFI Film Classics (London: BFI Publishing, 1998),
S. Chibnall, Get Carter British Film Guides series (London: I.B. Tauris, 2003)
and M. Sanderson, Don’t Look Now, BFI Film Classics (London: BFI Publishing, 1996).
J. Chapman, ‘From Amicus to Atlantis: The Lost Worlds of 1970s British Cinema,’ in R. Shail (ed), Seventies British Cinema (London: BFI/Palgrave Macmillan, 2008), pp. 56–64. J. Chapman, Past and Present, op. cit.
Biographies of key 1970s filmmakers include; J. Baxter, An Appalling Talent: Ken Russell (London: Joseph, 1973).
J. Lanza, Phallic Frenzy: Ken Russell and His Films (London: Aurum Press, 2008).
R. Wymer, Derek Jarman (Manchester: Manchester University Press, 2005).
N. Sinyard, The Films of Nicolas Roeg (London: Letts, 1991). J. Palmer, The Films of Joseph Losey (Cambridge: Cambridge University Press).
A. Yule, Enigma: David Puttnam, The Story So Far (Edinburgh: Mainstream, 1988).
M. Deeley and M. Field, Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies (London: Faber and Faber, 2008).
Work on production companies includes R. Murphy, ‘Three Companies: Boyd’s Co, Handmade and Goldcrest,’ in M. Auty and N. Roddick (eds), British Cinema Now (London: BFI Publishing, 1985), pp. 43–56.
R. Sellers, Always Look on the Bright Side of Life: The Inside Story of Handmade Films (London, Metro Books, 2003).
J. Eberts and T. Ilot, My Indecision Is Final: The Rise and Fall of Goldcrest Films (London: Faber and Faber, 1990).
R. Shail (ed), Seventies British Cinema (London: BFI/Palgrave Macmillan, 2008).
P. Newland (ed), Don’t Look Now: British Cinema in the 1970s (Bristol: Intellect Books, 2010).
L. Forster and S. Harper (eds), British Culture and Society in the 1970s: The Lost Decade (Newcastle: Cambridge Scholars, 2010).
S. Harper and J. Smith (eds), British Film Culture in the 1970s: The Boundaries of Pleasure (Edinburgh; EUP, 2011).
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© 2013 Sian Barber
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Barber, S. (2013). Understanding the 1970s. In: The British Film Industry in the 1970s. Palgrave Macmillan, London. https://doi.org/10.1057/9781137305923_3
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DOI: https://doi.org/10.1057/9781137305923_3
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