Skip to main content
  • 107 Accesses

Abstract

The zones of war that conditioned the lives and possible deaths of the combatants were shaped by a number of fundamental elements, experiences and sensibilities. These included the primal trenches themselves, followed closely by barbed wire and the other new technologies of death, such as gas, the tank and the bewildering variety of artillery and other munitions the war spawned. Common experiences of the front included the ration party, the comforts, billets and the monotony that pervaded the lives of soldiers much of the time. Ultimately and incessantly there was the experience of death, both dealing with it when comrades — sometimes even the enemy — were killed and coping with the strong possibility that you would be the next to ‘go west.’ The means and modes to articulate extinction had to be found. They were provided by the trench press, which drew from the experiences that constituted the narrative terrain of the war and transformed them into the iconic images and expressions of the war.

I’ll never forget the first whizz-bang I heard. It seemed screaming beside my ear. My hair stood so stiff I think I could have broken it off.

US Marine, AEF in The Devil-Dog April 26, 1919

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. See Bull, S. (ed.), An Officer’s Manual of the Western Front, 1914–1918, especially Chapter 2, which is a reprint of the 1914 British Army Manual of Field Engineering.

    Google Scholar 

  2. See Holmes, Richard, Tommy: The British Soldier on the Western Front, 1914–1918, HarperCollins, London, 2004, pp. 245–72.

    Google Scholar 

  3. See Boden, A., F. W. Harvey: Soldier, Poet, Alan Sutton, Gloucester, 1988.

    Google Scholar 

  4. Reported in Emanuel, W., ‘The Humor of T. Atkins,’ in War Illustrated, March 6, 1915.

    Google Scholar 

  5. Winter, Jay, Sites of Memory, Sites of Mourning: The Great War in European Cultural History, Cambridge University Press, Cambridge, 1995.

    Google Scholar 

  6. For other versions of this song see Seal, G., Digger Folksong and Verse of World War I: An Annotated Anthology, Antipodes Press, Perth, WA, 1991.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 2013 Graham Seal

About this chapter

Cite this chapter

Seal, G. (2013). The War. In: The Soldiers’ Press. Palgrave Macmillan, London. https://doi.org/10.1057/9781137303264_6

Download citation

  • DOI: https://doi.org/10.1057/9781137303264_6

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-67161-8

  • Online ISBN: 978-1-137-30326-4

  • eBook Packages: Palgrave History CollectionHistory (R0)

Publish with us

Policies and ethics