Abstract
Although few are remembered today, the First World War produced scores of heroines who became household names in their respective nations.1 From summer 1914 onwards, both British and French journalists, artists, and writers sought out women who could be constructed as heroic and lauded them in the press, in posters, and in popular fiction. First World War heroines tended to have a double function: firstly, although cast as exceptional, they were equally set up as gendered embodiments of the finest qualities of a ‘race’ or a national identity, as role models to bolster morale and mobilize the nation for the war effort. Secondly, their gender was used to underscore the ‘barbarous’ and ‘uncivilized’ nature of the enemy. It was usually activities on the front line that marked women out for heroine status. This proximity to the front, along with the patriotic and heroic qualities of courage, devotion, selflessness, tenacity, and sang-froid with which they were endowed, meant that heroines were often discussed in terms normally reserved for male combatants.
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Notes
While in this chapter I concentrate on specific case-studies, it is important to note that the First World War saw the emergence of new or reconfigured heroine ‘types’, which served as a vital backdrop to the way in which individual heroines were constructed by journalists, artists, and writers. On the British female munitions worker as heroine, see A. Woollacott (1994) On Her Their Lives Depend: Munitions Workers in the Great War (Berkeley, CA: University of California Press)
D. Thom (1998) Nice Girls and Rude Girls: Women Workers in World War I (London: I. B. Tauris).
M. Darrow (2000) French Women and the First World War: War Stories of the Home Front (Oxford: Berg).
M. H. Darrow (2008) ‘In the Land of Joan of Arc: The Civic Education of Girls and the Prospect of War in France, 1871–1914’, French Historical Studies, 31:2, pp. 263–91.
On the representation of Mata Hari during and after the war, see T. M. Proctor (2009) Female Intelligence: Women and Espionage in the First World War (New York: New York University Press)
C. Antier, M. Walle and O. Lahaie (2008) Les Espionnes dans la grande guerre (Rennes: Editions Ouest France).
For France, see J.-Y. Le Naour (2002) Misères et tourments de la chair durant la Grande Guerre: Les mœurs sexuelles des Français 1914–1918 (Paris: Aubier)
J.-M. Binot (2008) Héroïnes de la Grande Guerre (Paris: Fayard)
C. M. Tylee (1990) The Great War and Women’s Consciousness: Images of Militarism and Womanhood in Women’s Writings (London: Routledge)
S. Ouditt (1994) Fighting Forces, Writing Women: Identity and Ideology in the First World War (London: Routledge)
J. S. K. Watson (2004) Fighting Different Wars: Experience, Memory, and the First World War in Britain (Cambridge: Cambridge University Press)
J. Lee (2005) War Girls: The First Aid Nursing Yeomanry in the Great War (Manchester: Manchester University Press).
D. Atkinson (2009) Elsie & Mairi Go to War: Two Extraordinary Women on the Western Front (London: Arrow books).
S. Grayzel (1999) Women’s Identities at War: Gender, Motherhood, and Politics in Britain and France during the First World War (Chapel Hill, NC: University of North Carolina Press).
See the photograph of Cavell in civilian clothing at her trial, Imperial War Museum (IWM), Edith Cavell Collection, EC 4, C4677, reproduced in K. Pickles (2007) Transnational Outrage: The Death and Commemoration of Edith Cavell (Basingstoke: Palgrave Macmillan), p. 31.
See Binot, Héroïnes de la Grande Guerre, pp. 233–47. A recently published biography of de Bettignies which could not be considered here is C. Antier (2003) Louise de Bettignies: Espionne et Héroïne de la Grande Guerre (Paris: Editions Tallandier).
H. d’Argoeuves (1956) Louise de Bettignies (Paris: La Colombe), pp. 270–1.
E. Moreau (1970) La guerre buissonnière (Paris: Solar Editeur), p. 33.
D. A. Mackenzie (1917) From All the Fronts (Glasgow: Blackie).
An illustrated book accompanied the exhibition. A. Marwick (1977) Women at War 1914–18 (London: Harper Collins).
See http://edinburghfestival.list.co.uk; J.-P. Isbouts (2010) Angels in Flanders: A Novel of World War I (Santa Monica, CA: Pantheon Press).
Chisholm, Recorded interview; E. de T’Serclaes (1964) Flanders and Other Fields (London: Harrap), p. 50.
G. Mitton (2011) [1916] The Cellar House at Pervyse: A Tale of Uncommon Things (Milton Keynes: Oakpast), p. 9.
A. Gleason (1915) Young Hilda (New York: Frederick A. Stokes), pp. 7–11.
R. Maggio and M. Cordier (1991) Marie Marvingt: La Femme d’un siècle (Sarreguemines: Pierron).
M. Bochkareva (1919) Yashka: My Life As Peasant, Exile, and Soldier (New York: Frederick A. Stokes).
A. Burgess (1963) The Lovely Sergeant (London: Heinemann).
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© 2014 Alison S. Fell
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Fell, A.S. (2014). Remembering French and British First World War Heroines. In: Hämmerle, C., Überegger, O., Zaar, B.B. (eds) Gender and the First World War. Palgrave Macmillan, London. https://doi.org/10.1057/9781137302205_7
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DOI: https://doi.org/10.1057/9781137302205_7
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