Abstract
If “brute” became Hattie’s favorite pejorative to describe her husband, Fields had his own verbal weapons. “You have been a lazy, ignorant, bad-tempered, arguing, trouble-making female all your life… I havent one good thought or memory of you, and the very thought of an interview with you fills me with rage.” Taking a pencil, Hattie wrote on the back of the letter: “What I wanted to ask this brute was—if he would not advance us our first month’s rent to start us in our home again when I could secure an apartment.”1
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Notes
Bill Grady, The Irish Peacock: The Confessions of a Legendary Talent Agent (New Rochelle, NY: Arlington House, 1972), 21.
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© 2014 Arthur Frank Wertheim
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Wertheim, A.F. (2014). The Affair. In: W. C. Fields from Burlesque and Vaudeville to Broadway. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137300676_14
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DOI: https://doi.org/10.1057/9781137300676_14
Publisher Name: Palgrave Macmillan, New York
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