Abstract
The till-ringing success of Hammer Films led other studios to enthusiastically emulate the studio’s money-making ethos and lurid ad campaigns. In a similar fashion to the way in which the noun ‘Penguin’ became synonymous with paperbacks at a certain period, so ‘Hammer Horror’ became a generic description (and remains so to this day), whether or not a particular film was produced by that company. Such confusion would hardly have been a cause for concern among the company’s rivals, who did their very best to emulate (and replicate) as many aspects of the Hammer template as they could.
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© 2013 Barry Forshaw
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Forshaw, B. (2013). The Rivals: On Hammer’s Coat-Tails. In: British Gothic Cinema. The Palgrave Gothic Series. Palgrave Macmillan, London. https://doi.org/10.1057/9781137300324_8
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DOI: https://doi.org/10.1057/9781137300324_8
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-30031-7
Online ISBN: 978-1-137-30032-4
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