Abstract
The period of the ‘Troubles’ in Northern Ireland began in the 1960s (growing from a desire to challenge nationalist/Catholic inequality and led by the Civil Rights movement) and is now perceived as being ‘over’ as a consequence of the peace process and the signing of the Good Friday Agreement in 1998. As the peace process has begun to ‘bed down’ a number of theorists have turned their attention to critically examining the role that mass media representations played, and are still playing, in securing its success. Most studies1 have identified how the peace process had an economic imperative (connected to economic stability in Europe and the rise of neoliberalism), an analysis with which I would concur. However, much of my own research up to now has considered the role that mass media representations played in this process from a slightly different perspective. Drawing on contemporary feminist research, my concern has been to examine the reimaginings of national identity at the heart of the peace process from a feminist perspective, within the context of a ‘post-feminist’ popular culture. This work has prioritized the ways in which such shifts have impacted on contemporary understandings of both masculinity and femininity within Northern Ireland and correspondingly how, through a process of recuperation, such discourses have functioned to ‘exclude’ women from the peace process.
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Notes
Paul Bew, Henry Patterson and Paul Teague, Between War and Peace: the Political Future of Northern Ireland (London: Lawrence & Wishart, 1997);
Greg McLaughlin and Stephen Baker, The Propaganda of Peace: the Role of Media and Culture in the Northern Ireland Peace Process (Bristol and Chicago: Intellect, 2010), among others.
Sarah Edge, ‘“Women are trouble, did you know that Fergus?” — Neil Jordan’s The Crying Game’, Feminist Review 50 (1995), 173–86;
Sarah Edge, ‘Representing gender and national identity’, in David Miller (ed.), Rethinking Northern Ireland (London and New York: Longman, 1998), 211–28;
Sarah Edge, ‘Photographic history and the visual appearance of an Irish Nationalist discourse 1840–1870’, Victorian Literature and Culture 32 (1) (2004), 17–39;
Sarah Edge, ‘Gender, nationalism and Northern Ireland: contemporary renegotiations in popular culture,’ in Vera Tolz and Stephanie Booth (eds), Nation and Gender in Contemporary Europe: Exploring the East-West Divide (Manchester: Manchester University Press, 2005), 149–65;
Sarah Edge, ‘Negotiating peace in Northern Ireland: film TV and the “New Man”’, Visual Culture in Britain (Special Issue on visual culture in Northern Ireland since 1994) 10 (2) (July 2009), 177–89.
Jeff Weeks, Against Nature: Essays on Sexuality History and Identity (London: Rivers Oram Press, 1991).
John Beynon, Masculinities and Culture (Buckingham: Open University Press, 2002), 2.
Sarah Gamble, The Routledge Companion to Feminism and Postfeminism (London and New York: Routledge, 2001), 43.
Sean Nixon, ‘Exhibiting masculinity’, in Stuart Hall (ed.), Representation: Cultural Representations and Signifying Practices (London: Open University, 1997), 296.
Rowena Chapman and Jonathan Rutherford, Male Order Unwrapping Masculinity (London: Lawrence & Wishart, 1996), 235.
B. Gray and L. Ryan, ‘(Dis) Locating ‘woman’ and woman in representations of Irish identity’, in A. Byrne and M. Leonard (eds), Women In Irish Society (Belfast: Beyond the Pale Publications, 1997);
Tom Inglis, Moral Monopoly: the Catholic Church in Modern Irish Society (Dublin: Gill and Macmillan, 1987);
Gerardine Meaney, ‘Sex and nation: women in Irish culture and politics’, in A Dozen Lips (Dublin: Attic Press, 1994), 188–204.
D. Cairns and S. Richard, Writing Ireland: Colonialism, Nationalism and Culture (Manchester: Manchester University Press, 1988).
Luke Gibbons, ‘Race against time: racial discourse and Irish history’, The Oxford Literary Review, 12, 1–2 (1991), 95–117.
L. Perry Curtis Jr., Apes and Angels: the Irishman in Victorian Caricatures (Washington, DC and London: Smithsonian Institute Press, 1997).
Anne McClintock, Imperial Leather: Race Gender and Sexuality in the Colonial Contest (London and New York: Routledge, 1995), 53.
John Tosh, Manliness and Masculinities in Nineteenth Century Britain (London: Pearson Longman, 2005), 193.
Jonathan Rutherford, Forever England: Reflections on Masculinity and Empire (London: Lawrence & Wishart, 1997), 35.
Graham Dawson, Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities (London: Routledge, 1994), 1.
L. Curtis, Nothing But the Same Old Story: the Roots of Anti-Irish Racism (London: Information on Ireland, 1985).
John Hill, ‘Images of violence’, in Kevin Rockett, Luke Gibbons and John Hill (eds), Cinema and Ireland (London: Routledge, 1987), 149.
McCann Erickson, Spin is Dead. Long Live Delivery (Belfast: McCann Erickson, 2001), 14.
Graham Dawson, Making Peace with the Past? Memory, Trauma and the Irish Troubles (Manchester: Manchester University Press 2007), 306.
See Patricia Lundy and Mark McGovern, ‘Telling stories, facing truths: memory, justice and post-conflict transition’, in Colin Coulter and Michael Murray (eds), Northern Ireland After the Troubles (Manchester: Manchester University Press, 2008).
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© 2014 Sarah Edge
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Edge, S. (2014). ‘He’s a Good Soldier, He Cares About the Future’: Post-Feminist Masculinities, the IRA Man and ‘Peace’ in Northern Ireland. In: Holohan, C., Tracy, T. (eds) Masculinity and Irish Popular Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9781137300249_15
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DOI: https://doi.org/10.1057/9781137300249_15
Publisher Name: Palgrave Macmillan, London
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