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Conclusion: The Changing Landscape of Passionate Love in Cinema

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Passionate Love and Popular Cinema

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Abstract

Passionate love is certainly not the only type of love that arises in cinema, but it does have a rich history across popular Hollywood that may broaden our knowledge of the representation of romance at the movies. The influence of passion goes beyond the parameters explored here and reaches a variety of texts, which raises questions about the way that conventions related to passionate love are adapted and moulded in other contexts. As Raphaelle Moine states, ‘The more familiar one is with a genre, the more one is in a position to appreciate its mutation, its evolution, and its diversity’.1 As such, in order to explore some further areas of investigation, two questions will be addressed here in closing.

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Notes

  1. Raphaelle Moine. Cinema Genre. Malden: Blackwell, 2008: 103.

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  6. See, for example, Martha Gever. Entertaining Lesbians: Celebrity, Sexuality and Self-Invention. New York: Routledge, 2003.

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  8. Umberto Eco. ‘Casablanca or the Clichés Are Having a Ball’ in On Signs, edited by Marshall Blonsky. 37. Oxford: Blackwell, 1985. Eco’s italics.

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  9. Harvey Roy Greenberg. ‘Cult Cinema: Casablanca — If It’s So Schmaltzy, Why Am I Weeping?’ In Screen Memories: Hollywood Cinema on the Psychoanalytic Couch, 50. New York: Columbia University Press, 1993. In addition, Greenberg views Rick’s final decision to send Ilsa off with Victor as an instinctual need to be rid of her so that he can be with Renault instead (although this reading undercuts what makes the film so successful).

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  14. See also Erica Todd. ‘Pepe le Moko, Cinematic Appropriations and the Passionate Love Story’ in Creative Imitations, and Appropriations: From Cinematic Adaptations to Re-makes, Research Colloquium Select Refereed Papers, edited by Erica Todd, Clement Da Gama, Ellen Pullar and Hilary Radner, 79–87. Dunedin: Centre for Research on National Identity, 2011.

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  23. Burch. ‘La Garce et le bas bleu’ 24. He suggests Danielle Darrieux and Michele Morgan as examples.

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  1. Erica Todd
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© 2014 Erica Todd

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Todd, E. (2014). Conclusion: The Changing Landscape of Passionate Love in Cinema. In: Passionate Love and Popular Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/9781137295385_6

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