Abstract
Although Eugenio Barba maintains that ‘I cannot, nor do I wish to, pass on a style, create a school or a method’ (Barba, 2010a, p. xv), particular approaches to performance practice define the Odin Teatret’s work, both as a pragmatic methodology and how that practice is understood.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Copyright information
© 2012 Adam J. Ledger
About this chapter
Cite this chapter
Ledger, A.J. (2012). Burning the House: Paradigms of Practice. In: Odin Teatret. Palgrave Macmillan, London. https://doi.org/10.1057/9781137284488_2
Download citation
DOI: https://doi.org/10.1057/9781137284488_2
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-32001-1
Online ISBN: 978-1-137-28448-8
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)