Abstract
This is a chapter about my body. It is a chapter about my body at rest, and my body at play. My body is insistently present when I sit, almost motionlessly, viewing, re-viewing, scrutinising and attending to frame-by-frame, fraction-of-a-second encounters with a film by Chantal Akerman. My body is also there when I observe, participate, hesitate, meander, wonder, shift and perambulate through an exhibition, also by Chantal Akerman. The static and moving body that is mine is the place from which my attentive regard for these films and moving image installations emerges and is made tangible in the visual, emotional and spatial environments of viewing.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Copyright information
© 2012 Jenny Chamarette
About this chapter
Cite this chapter
Chamarette, J. (2012). Burlesque Gestures and Bodily Attention: Phenomenologies of the Ephemeral in Chantal Akerman. In: Phenomenology and the Future of Film. Palgrave Macmillan, London. https://doi.org/10.1057/9781137283740_5
Download citation
DOI: https://doi.org/10.1057/9781137283740_5
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-33522-0
Online ISBN: 978-1-137-28374-0
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)