Abstract
This is a book about domestic space and eighteenth-century British novels. More specifically, it is about how interior rooms and garden buildings are represented in the novels of Samuel Richardson (1689–1761) and Fanny Burney (1752–1840), in particular; and to a lesser extent those by Eliza Haywood (1693–1756) and Frances Sheridan (1724–1766). The novels written by Haywood, Sheridan and Burney were all influenced by the work of Richardson; whether directly or indirectly. For instance Sheridan’s Memoirs of Miss Sidney Bidulph (1761) and Burney’s Evelina (1778) are both dedicated to Richardson. His influence is also evident in Haywood’s work. Her satires, Anti-Pamela (1741) and The Virtuous Villager (1742), were written in response to Richardson’s Pamela (1740–1).1 Meanwhile in The History of Clarissa Harlowe (1747–8) and The History of Miss Betsy Thoughtless (1751), Richardson and Haywood respectively explore the fate of a young woman whose reputation is tarnished. But if Richardson’s heroine is an ‘exemplary’ woman,2 then Haywood’s is a ‘Thoughtless’ one: a woman whose vanity threatens to turn her into ‘a coquet both silly and insignificant’.3
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Notes
See C. Blouch, (1998) ‘Introduction’ to E. Haywood, The History of Miss Betsy Thoughtless (1751) in C. Blouch (1998) (ed.) 4 vols. in 1 (Canada: Broadview Press), pp.7–18.
S. Richardson, Clarissa; or, The History of a Young Lady (1747–48) A. Ross (ed.) (1985) (Penguin Books, Harmondsworth) p. 1363.
I. Watt, (1957) The Rise of the Novel (London: Hogarth Press).
C. Marsden Gillis, (1984) The Paradox of Privacy: Epistolary Form in ‘Clarissa’ (University Presses of Florida); N. Armstrong, (1987) Desire and Domestic Fiction: A Political History of the Novel (Oxford: Oxford University Press)
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S. Varey, (1990) Space and the Eighteenth-Century English Novel (Cambridge: Cambridge University Press).
M. McKeon, (2005) The Secret History of Domesticity: Public, Private, and the Division of Knowledge (Baltimore, Maryland: John Hopkins University Press)
C. Wall, (2006) The Prose of Things: Transformations of Description in the Eighteenth Century (Chicago: University of Chicago Press).
P. Backscheider and C. Ingrassia, (2005) (eds.) A Companion to the Eighteenth-Century English Novel and Culture (Oxford: Blackwell)
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Charles Saumarez Smith, (1993) Eighteenth-Century Decoration: Design and the Domestic Interior in England (London: Weidenfeld and Nicolson)
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P. Langford, (1992) A Polite and Commercial People, England 1727–1783 (Oxford: Oxford University Press), p.68.
See I. Watt, (1957) The Rise of the Novel, pp.35-59 and also J. Raven, N. Tadmor, and H. Small, (1996) (eds.) The Practice and Representation of Reading in England (Cambridge: Cambridge University Press).
J. Ackerman, (1966) Palladio (Harmondsworth: Penguin Books) p.19.
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J. Ackerman, (1990) The Villa: Form and Ideology of Country Houses (London: Thames and Hudson, 1990) p.156
A. Rowan, ‘Sources and Influences for the Later Georgian Villa: 8 Villa Variants’, in D. Arnold, (1996) (ed.) Georgian Villa (Stroud, UK: Sutton Publishing), pp.75–93
A. Palladio, The Four Books of Architecture, trans. Isaac Ware (1738) (New York: Dover Publications, 1965), Book I, I, p. 1.
G. Worsley, (1995) Classical Architecture in Britain: The Heroic Age (London & New Haven: Yale University Press), p.71.
Anthony Ashley Cooper, Third Earl of Shaftesbury, (1712) ‘A Letter Concerning the Art or Science of Design’, in John Summerson, Architecture in Britain, 1530–1830 (Harmondsworth: Penguin Books, 1953) pp. 317–318.
A. Vickery, (1998) The Gentleman’s Daughter: Women’s Lives in Georgian England (London & New Haven: Yale University Press), p.197.
L. Troide, (1988) (ed.) The Early Journals and Letters of Fanny Burney, 4 vols (Oxford: Clarendon Press), I, 83.
P. Meyer Spacks, (2003) Privacy: Concealing the Eighteenth-Century Self (Chicago: University of Chicago Press), p.9.
W. Rybcznski, (1988) Home: A Short History of an Idea (London: Heinemann), pp.110–111.
T. Fuller, ‘Gnomologia, 1732’, in M. Mack, (1969) (ed.) The Garden and the City: Retirement and Politics in the Later Poetry of Pope, 1731–1743 (Toronto: University of Toronto Press), p.4.
C. Wall, (1998) The Literary and Cultural Spaces of Restoration London (Cambridge: Cambridge University Press), p.212.
F. Sheridan, (1761) Memoirs of Miss Sidney Bidulph, in P. Koster and J. Coates Cleary, (1995) (ed.) 3 vols. in 1 (Oxford: Oxford University Press).
See C. Wall, (2004) ‘A Geography of Georgian Narrative Space’, in M. Ogborn and C. W. J. Withers, (2004) (ed.) Georgian Geographies: Essays on Space, Place and Landscape in the Eighteenth Century (Manchester: Manchester University Press) pp. 114–131
M. A. Doody, (1986) ‘Frances Sheridan: Morality and Annihilated time’, in M. A. Schofield and C. Macheski, (1986) (eds.) Fetter’d or Free?: British Women Novelists, 1670–1815 (Athens: Ohio University Press), pp.324–358
C. Saumarez Smith, (2000) Rise of Design: Design and Domestic Interior in Eighteenth-Century England (London: Pimlico), p.167.
K. Chisholm, (1998) Fanny Burney: Her Life (London: Chatto and Windus) p. xx.
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© 2012 Karen Lipsedge
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Lipsedge, K. (2012). Introduction. In: Domestic Space in Eighteenth-Century British Novels. Palgrave Macmillan, London. https://doi.org/10.1057/9781137283504_1
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DOI: https://doi.org/10.1057/9781137283504_1
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