Abstract
When I heard that Sapphire’s book, Push (1996), was going to be made into a film, Precious (2009), I had mixed feelings. I had read the novel years before and thought it was worth the “movie treatment.” And although it was fortunate that an African American literary work, one that I think greatly represents contemporary African American literature and that made it to the silver screen, when many do not, I had reservations because films are often poor renditions of the novels, at best. However, when I learned that Oprah Winfrey was one of the producers, some of my concerns were initially assuaged, since Winfrey has been open about her own sexual abuse experiences and her personal blues experiences. I believed she would help ensure that the novel’s essence would be adapted into the film while maintaining sensitivity in the portrayals of the novel’s subject matter and characterizations.
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Notes
Wendy A. Rountree, “Overcoming Violence: Blues Expression in Sapphire’s Push,” Atenea 24, no. 1 (June 2004): 133–143.
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Hazel Carby, “It Jus Be’s Dat way Sometimes: The Sexual Politics of Women’s Blues,” in Feminisms: An Anthology of Literary Theory and Criticism edited by Robyn R. Warhol and Diane Price Herndl (New Brunswick, NJ: Rutgers University Press, 1993), 758.
Angela Davis, Blues Legacies and Black Feminism (New York: Patheon Books, 1998), 33.
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Isabel Stevens, “The Value of ‘Precious’,” Sight and Sound 20, no. 2 (February 2010): 11.
Toni Morrison, The Bluest Eye (New York: Vintage, 1970), 122.
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© 2013 Tara T. Green
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Rountree, W. (2013). Blues, Hope, and Disturbing Images: A Comparison of Sapphire’s Push and the Film Precious. In: Green, T.T. (eds) Presenting Oprah Winfrey, Her Films, and African American Literature. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137282460_7
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DOI: https://doi.org/10.1057/9781137282460_7
Publisher Name: Palgrave Macmillan, New York
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