Skip to main content

On the Periphery of Nollywood

Nigerian Video Filmmaking in Italy and the Emergence of an Intercultural Aesthetics

  • Chapter
Postcolonial Italy

Part of the book series: Italian and Italian American Studies ((IIAS))

Abstract

The Nigerian video industry, internationally known as Nollywood,1 has rapidly developed in the past few years becoming, according to the survey published by the UNESCO Institute for Statistics in April 2009, the second largest film industry in the world in terms of the sheer number of films produced.2 As Jonathan Haynes has underscored (“The Nollywood Diaspora”), after the broad popular success achieved by video films such as Osuofia in London (2003) and Dangerous Twins (2004), videos shot in a foreign context (and therefore able to appeal to a particular kind of exoticism) and dealing with the experience of migration (an experience lived or dreamed about by many Nigerians), started to become very popular in Nigeria. As a consequence of this popularity, while many Nollywood production companies based in Nigeria began to finance film projects set in the diaspora, Nigerian expatriates began to see the economic potential of investing in filmmaking and started to set up their own production companies abroad. Among these ventures, two video production companies, directly connected to the Nigerian system of production and distribution, emerged in northern Italy: IGB Film and Music Industry based in Brescia and GVK (Giving Vividly with Kindness) based in Turin.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 139.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Works Cited

  • Abroad Wahala. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 2005. DVD.

    Google Scholar 

  • Africanized. Dir. Theo Eshetu. White Light, 2001. DVD.

    Google Scholar 

  • Akpegi Boyz. Dir. Vincent Omoigui and Simone Sandretti. GVK, 2009. DVD.

    Google Scholar 

  • Aksoy, Asu, and Kevin Robins. “Banal Transnationalism: The Difference That Television Makes.” The Media of Diaspora. Ed. Karim H. Karim. London: Routledge, 2003. 89–104. Print.

    Google Scholar 

  • Ali di cera. Dir. Hedy Krissane. Tatooine Prod.action and Ass. Cult. LiberArti, 2009. DVD. Amato, Fabio, ed. Atlante dell’immigrazione in Italia. Rome: Carocci, 2008. Print.

    Google Scholar 

  • Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996. Print.

    Google Scholar 

  • Aroghavbegbe. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 1995. VHS.

    Google Scholar 

  • Barber, Karin, ed. Readings in African Popular Culture. Bloomington: Indiana University Press, 1997. Print.

    Google Scholar 

  • Barrot, Pierre, ed. Nollywood: Le phénomène video au Nigeria. Paris: L’Harmattan, 2005. Print.

    Google Scholar 

  • Baumann, Gerd. Contesting Culture. Discourses of Identity in Multi-Ethnic London. Cambridge: Cambridge University Press, 1996. Print.

    Google Scholar 

  • Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. Print.

    Google Scholar 

  • Black Is Black: Mamma Mia 3. Dir. and Prod. Bob Smith Jr., 2000. VCD.

    Google Scholar 

  • Blinded Devil. Dir. Vincent Omoigui and Simone Sandretti. GVK. Unreleased. Video. Cingolani, Pietro. “Koming from Naija to Torino: esperienze nigeriane di immigrazione e di fede.” Più di un Sud. Studi antropologici sull’immigrazione a Torino. Ed. Paola Sacchi and Pier Paolo Viazzo. Milan: Franco Angeli, 2003. 120–54. Print.

    Google Scholar 

  • Colpevole fino a prova contraria. Dir. Hedy Krissane. Abxentium snc, 2005. DVD.

    Google Scholar 

  • Come un uomo sulla terra. Dir. Andrea Segre, Dagmawi Yimer, and Riccardo Biadene. ZaLab, 2008. DVD.

    Google Scholar 

  • Dangerous Twins. Dir. Tade Ogidan. Paulo International Concepts and OGD Pictures, 2004. VCD.

    Google Scholar 

  • Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. London: Athlone Press. 1988. Print.

    Google Scholar 

  • Dossier Statistico Immigrazione 2011 Caritas-Migrantes: 21° Rapporto. Rome: Edizioni Idos, 2011. Print.

    Google Scholar 

  • Double Trouble (Mamma Mia Part 2). Dir. and Prod. Bob Smith Jr., 1998. VCD.

    Google Scholar 

  • Efe-Obomwan. Dir. Vincent Omoigui. GVK, 2006. DVD.

    Google Scholar 

  • Emelonye, Obi. Personal Interview. 9 December 2009.

    Google Scholar 

  • Ferguson, Russell. “Introduction: Invisible Center.” Out There: Marginalization and Contemporary Culture. Ed. Russell Ferguson et al. Cambridge: MIT Press, 1990. 9–18. Print.

    Google Scholar 

  • Garritano, Carmela. “A New Critical Architecture for African Grassroots Cinemas: Nigerian Video in Ghana, Pirate Economies and Transnational Media Flows.” Paper presented at the Society for Cinema and Media Studies Conference. Philadelphia. 9 March 2008. Unpublished paper.

    Google Scholar 

  • Gilroy, Paul. There Ain’t No Black in the Union Jack: The Cultural Politics of Race and Nation. London: Hutchinson, 1987. Print.

    Google Scholar 

  • Glamour Girls II: The Italian Connection. Dir. Christian Onu. NEK Video Links, 1996. VHS.

    Google Scholar 

  • Grassilli, Maria Giulia. “Migrant Cinema: Transnational and Guerrilla Practices of Film Production and Representation.” Journal of Ethnic and Migration Studies 34.8 (2008): 1237–55. Print.

    Article  Google Scholar 

  • Haynes, Jonathan. “Africans Abroad: A Theme in Film and Video.” Africa & Mediterraneo 45 (2003): 22–29. Print.

    Google Scholar 

  • Haynes, Jonathan, ed. Nigerian Video Films. Athens: Ohio University Press, 2000. Print.

    Google Scholar 

  • Haynes, Jonathan. “The Nollywood Diaspora. A Nigerian Video Genre.” Paper presented at the conference “Nollywood and Beyond.” Mainz. 13–16 May, 2009. Unpublished paper. 1–22.

    Google Scholar 

  • Il sangue non è acqua fresca. Dir. Theo Eshetu. White Light. 1997. DVD.

    Google Scholar 

  • Inza, Kone. Personal Interview. 10 July 2009.

    Google Scholar 

  • Jedlowski, Alessandro. “Una nuova voce nel cinema italiano? L’emergenza di forme di cinema migrante in Italia.” Camera Africa: Classici, noir, Nollywood e la nuova generazione del cinema delle Afriche. Ed. Vanessa Lanari et al. Verona: Cierre Edizioni, 2011. Print.

    Google Scholar 

  • Karim, Karim H., ed. The Media of Diaspora. London: Routledge, 2003. Print.

    Google Scholar 

  • Kiki Marriage. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 2003. DVD.

    Google Scholar 

  • King, Russell, and Nancy Wood, eds. Media and Migration. Construction of Mobility and Difference. London: Routledge, 2001. Print.

    Google Scholar 

  • Lettere dal Sahara. Dir. Vittorio De Seta. Metafilm ASP, 2006. DVD.

    Google Scholar 

  • Liang, Lawrence. “Porous Legalities and Avenues of Participation.” The Sarai Reader 2005. Ed. Monica Narula et al. Delhi: Sarai Media Lab, 2005. 6–17. Print.

    Google Scholar 

  • Lionnet, Françoise, and Shumei Shih. Minor Transnationalism. Durham: Duke University Press, 2005. Print.

    Book  Google Scholar 

  • Mamma Mia Italiana. Dir. and Prod. Bob Smith Jr., 1995. VHS.

    Google Scholar 

  • Naficy, Hamid. “Between Rocks and Hard Places: the Interstitial Mode of Production of Exile Cinema.” Home, Exile, Homeland. Film, Media, and the Politics of Place. Ed. Hamid Naficy. London: Routledge, 1999. 125–50. Print.

    Google Scholar 

  • Omoigui, Vincent. Personal Interview. 21 September 2009.

    Google Scholar 

  • Omoigui, Vincent. Personal Interview. 17 June 2010.

    Google Scholar 

  • Omo-sigho. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 1997. VHS.

    Google Scholar 

  • Onishi, Norimitsu. “Step aside, L.A. and Bombay, for Nollywood.” New York Times 16 September 2002: 11. Print.

    Google Scholar 

  • Osharhenoguwu, Prince Frank Abieyuwa. Personal Interview. 25 September 2009.

    Google Scholar 

  • Osuofia in London. Dir. and Prod. Kingsley Ogoro, 2003. VCD.

    Google Scholar 

  • Samyn, Sophie. Nollywood in the Diaspora: An Exploratory Study on Transnational Aesthetics. MA thesis. University of Ghent, 2010. Print.

    Google Scholar 

  • Sandretti, Simone. Personal Interview. 15 Jun. 2010.

    Google Scholar 

  • Santanera, Giovanna. Nollywood a Torino. Una ricerca fra gli immigrati nigeriani. MA thesis. University of Turin, 2009. Print.

    Google Scholar 

  • Sassen, Saskia. The Global City: New York, London, Tokyo. Princeton: Princeton University Press, 2001. Print.

    Book  Google Scholar 

  • Sayad, Abdelmalek. La Double Absence. Des illusions de l’émigré aux souffrances de l’immigré. Paris: Éditions du Seuil, 1999. Print.

    Google Scholar 

  • Smith, Michael P., and Luis E. Guarnizo. “The Locations of Transnationalism.” Transnationalism from Below. Ed. Michael P. Smith and Luis E. Guarnizo. New Brunswick: Transaction Publishers, 1998. 3–34. Print.

    Google Scholar 

  • Soltanto il mare. Dir. Dagmawi Yimer, Giulio Cederna, and Fabrizio Barracco. Archivio Memorie Migranti Asinitas and Lettera 27, 2011. DVD.

    Google Scholar 

  • Sundaram, Ravi. “Recycling Modernity: Pirate Electronic Cultures in India.” Third Text 13.47 (1999): 59–65. Print.

    Article  Google Scholar 

  • The Hard Nut To Crack. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 2008. DVD.

    Google Scholar 

  • The Only Way After Home But It’s Risky. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 2007. DVD.

    Google Scholar 

  • Ukpokpouwa. Dir. Prince Frank Abieyuwa Osharhenoguwu. IGB Film and Music Production, 1999. VCD.

    Google Scholar 

  • UNESCO Institute for Statistics. International Survey on Feature Film Statistics. Montreal: UIS, 2009. Print.

    Google Scholar 

  • Uwado. Dir. Vincent Omoigui and Simone Sandretti. GVK, 2008. DVD.

    Google Scholar 

  • We Are Not Slaves. Dir. Vincent Omoigui and Simone Sandretti. GVK. Unreleased. Video.

    Google Scholar 

  • Zeleza, Paul Tiyambe. “Rewriting the Black Diaspora: Beyond the Black Atlantic.” African Affairs 104.414 (2005): 35–68. Print.

    Article  Google Scholar 

Download references

Authors

Editor information

Cristina Lombardi-Diop Caterina Romeo

Copyright information

© 2012 Cristina Lombardi-Diop and Caterina Romeo

About this chapter

Cite this chapter

Jedlowski, A. (2012). On the Periphery of Nollywood. In: Lombardi-Diop, C., Romeo, C. (eds) Postcolonial Italy. Italian and Italian American Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137281463_16

Download citation

  • DOI: https://doi.org/10.1057/9781137281463_16

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-349-44817-3

  • Online ISBN: 978-1-137-28146-3

  • eBook Packages: Palgrave History CollectionHistory (R0)

Publish with us

Policies and ethics