Abstract
Ted Hughes’ poetry is commonly associated with depictions of the often cruel and unforgiving world of animals and nature, and in this way does not immediately offer the impression of being a place in which to sensitively appreciate, let alone diagnose or ‘cure’, illnesses. Yet a number of his poems attempt just this. The evidence for Hughes’ conviction that poetry is an agent of healing is plentiful. It is testified to not only by his verse, but also in his letters and his translations of classical texts. A number of critical works support this claim, concentrating on the t herapeutic, healing powers invested in and exhibited by Hughes’ poetry.1 The central concern here, however, is to consider Hughes’ depiction or understanding of illness; poetry may well harbour a bio-medical dimension so far as Hughes is concerned, one facilitating ‘a change in the psychic odds’ (LTH 703), but it is an approach which can give rise to problematic ethical as well as aesthetic issues.
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Notes
Daniel Xerri (2009), Ted Hughes’s Art of Healing: Into Time and Other People (Palo Alto: Academia Press).
Philip Gourevitch (ed.) (2008), The Paris Review Interviews: Volume III (New York: Picador), pp. 293–4.
Carl Jung (1953–78), The Collected Works of Carl Gustav Jung, ed. Herbert Read, Michael Fordham and Gerhard Adler (London: Routledge & Kegan Paul), vol. 4, para. 753.
Erica Wagner (2000), Ariel’s Gift: Ted Hughes, Sylvia Plath and the Story of Birthday Letters (London: Faber & Faber), p. 138.
Keith Sagar (2011), ‘Ted Hughes and the Divided Brain’, The Ted Hughes Society Journal 1, http://www.thetedhughessociety.org.
Edward Hadley (2010), The Elegies of Ted Hughes (Basingstoke: Palgrave Macmillan), p. 118.
Melissa F. Zeiger (1997), Beyond Consolation: Death, Sexuality, and the Changing Shapes of Elegy (New York: Cornell University Press), p. 64.
Ted Hughes (2010), Susan Alliston’, in Susan Alliston, Poems and Journals: 1960–1969 (Nottingham: Richard Hollis/Five Leaves), p. 16.
Sylvia Plath (2000), The Journals of Sylvia Plath: 1950–1962, ed. Karen V. Kukil (London: Faber & Faber), p. 670. Pp. 667–74
Ann Skea (1992), ‘Wolf Masks: From Hawk to Wolfwatching’, in Leonard M. Scigaj (ed.), Critical Essays on Ted Hughes (New York: G.K. Hall), p. 247.
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© 2013 Edward Hadley
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Hadley, E. (2013). Ted Hughes’ Poetry of Healing. In: Wormald, M., Roberts, N., Gifford, T. (eds) Ted Hughes: From Cambridge to Collected. Palgrave Macmillan, London. https://doi.org/10.1057/9781137276582_14
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DOI: https://doi.org/10.1057/9781137276582_14
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