Abstract
The Senegalese filmmaker Sembene Ousmane died in 2007 at the age of 84.1 Referred to as the “Father of African cinema,” he nevertheless started his career as a writer and continued until the 1980s to be a prolific novelist. Among his early novels are Le Docker noir (The Black Docker, 1956), Ô Pays, mon beau peuple! (Ô Country, My Beautiful People!, 1957), and Les Bouts de bois de Dieu (God’s Bits of Wood, 1960). In these books, he tackles economic, social, and racial issues in what critics have characterized as a social realist mode, in the tradition of Zola and Brecht. In his later books, Le Mandat (The Money Order, 1965), Xala (1973), Le Dernier de l’empire (The Last of the Empire, 1981), and Niiwam et Taaw (Niiwam and Taaw, 1987), Sembene addresses issues related to the corruption of the African elite in newly independent states.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Copyright information
© 2014 Sabrina Parent
About this chapter
Cite this chapter
Parent, S. (2014). Camp de Thiaroye by Sembene Ousmane. In: Cultural Representations of Massacre. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137274977_7
Download citation
DOI: https://doi.org/10.1057/9781137274977_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-44596-7
Online ISBN: 978-1-137-27497-7
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)