Abstract
When Jonathan Harker, deep in the Transylvanian mountains, embarks on the final stage of his journey towards Count Dracula’s residence, he overhears the frightened natives whispering ‘Denn die Todten reiten Schnell’ — ‘for the dead travel fast’. Dracula, in the disguise of Harker’s driver, flashes a gleaming smile in the speaker’s direction causing great consternation and much crossing. The vampire then drives Harker into an unholy night full of howling wolves and strange omens, taking the hapless Englishman the final few miles to the castle that, in many ways, marks the border between East and West or between the imagined self of Europe and the Oriental Other.
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References
Arata, Stephen D. (1990) ‘The Occidental Tourist: “Dracula” and the Anxiety of Reverse Colonization’, Victorian Studies, 33.4: 621–45.
Botting, Fred (2002) ‘Aftergothic: Consumption, Machines, and Black Holes’, in The Cambridge Companion to Gothic Fiction, ed. Jerrold E. Hogle. Cambridge University Press, pp. 277–300.
Khair, Tabish (2009) The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere. Basingstoke: Palgrave Macmillan.
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© 2013 Tabish Khair and Johan Höglund
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Höglund, J., Khair, T. (2013). Introduction: Transnational and Postcolonial Vampires. In: Khair, T., Höglund, J. (eds) Transnational and Postcolonial Vampires. Palgrave Macmillan, London. https://doi.org/10.1057/9781137272621_1
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DOI: https://doi.org/10.1057/9781137272621_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-44490-8
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