Abstract
By the 1960–1961 Broadway season, Audrey Wood had been a successful agent for almost 25 years. Her morning routine rarely varied. Whether she was traveling from her house in Westport or from the Royalton Hotel on West Forty-fourth Street, she arrived at her office at MCA where she put down her briefcase filled with scripts that she had read the previous evening. She returned “urgent” calls, read letters and contracts demanding her “immediate” attention, and noted “requests” for meetings during the day. The most time-consuming of these routines were the contracts that required careful study. She read and initialed each page and promptly returned them to the agency’s legal department. Then she turned her attention to her clients’ productions that were in various stages of preparation for Broadway.
But I have been an agent for a long time now and I intend to continue for as long as my sense of humor stays with me.1
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Notes
Arthur Kopit, End of the World with Symposium to Follow (New York: Samuel French Inc. 1984, 187), 16–17.
Deborah Jowitt, Jerome Robbins: His Life, His Theater, His Dance (New York: Simon and Schuster, Inc., 2004), 328–29.
Arthur Kopit, Oh Dad, Poor Dad, Mama’s Hung You in the Closet and I’m Feelin’ So Sad in Three Plays (New York: Farrar, Straus, and Giroux, 1997), 79.
Arthur Kopit, “Preface” Wings (New York: Hill and Wang, 1978), xi–xii. Reprinted with permission.
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© 2013 Milly S. Barranger
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Barranger, M.S. (2013). An Accidental Career. In: Audrey Wood and the Playwrights. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137270603_10
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DOI: https://doi.org/10.1057/9781137270603_10
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-44441-0
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