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The Planter and the Sharecropper: The Southern Tenant Farmers’ Union

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Sharecropper’s Troubadour

Part of the book series: Palgrave Studies in Oral History ((PSOH))

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Abstract

Hopeless circumstances in cotton country—debt peonage, floods, drought, and, finally, the Great Depression—caused many of King Cotton’s victims to despair, turn to drink, or in other ways abandon their families. The economic crisis caused John Handcox, on the other hand, to find new meaning to his life. When he quit sharecropping at the end of 1935, he began to write. He also found a newspaper in which to publish, and most importantly, a movement to join. John’s grandfather’s stories of slavery, the music he learned in church, and the poetry he read by Paul Laurence Dunbar all had prepared him to join “the revolt of the sharecroppers,” a phrase that rang through the labor reform agenda of the mid-1950s. In school, he had written songs and poems to amuse, but now he would use them to promote a startling historic departure, in which black and white tenants, both sharecroppers and renters, and wage laborers joined together in a union.

I wrote about the way the poor were being treated by the rich. I help to organize them so we all could get out of the ditches.

—John Handcox1

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Notes

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© 2013 Michael K. Honey

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Honey, M.K. (2013). The Planter and the Sharecropper: The Southern Tenant Farmers’ Union. In: Sharecropper’s Troubadour. Palgrave Studies in Oral History. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137088369_4

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  • DOI: https://doi.org/10.1057/9781137088369_4

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-0-230-11128-8

  • Online ISBN: 978-1-137-08836-9

  • eBook Packages: Palgrave History CollectionHistory (R0)

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