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Imagining Transgender China

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Transgender China

Abstract

Sexologist Magnus Hirschfeld’s Die Transvestiten (1910) and anthropologist Esther Newton’s Mother Camp (1972) exemplify a rich tradition of scholarly thought and analysis on gender variance in the twentieth century.1 Nonetheless, it was only in the last two decades that an explosion of academic interest in transgender topics became ever more pronounced. In the 1970s and 1980s, social, political, cultural, and intellectual trends paved the way for some transgender people to increasingly distance themselves from the women’s movement and the gay and lesbian movement.2 The emergence of queer studies as an umbrella field in the decade following these developments cultivated the growth and maturation of transgender studies.3 Already in her seminal Gender Trouble (1990), philosopher Judith Butler used drag as a preeminent example to theorize the cultural performativity of gender, thereby reorienting women’s studies beyond traditional concerns of feminist epistemology.4 In Female Masculinity (1998), cultural theorist Judith Halberstam recentered women’s relationship to masculinity, revealing a long-neglected undercurrent of Anglo-American literature and film.5 Seven years later, the publication of In a Queer Time and Place (2005) enriched her problematization of the heteronormative alignment of sex and gender through the lens of subcultural practice.6

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Notes

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Howard Chiang

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© 2012 Howard Chiang

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Chiang, H. (2012). Imagining Transgender China. In: Chiang, H. (eds) Transgender China. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137082503_1

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